Published by Vintage,
Random House New Zealand
RRP: $37.99
Reviewed by Maggie Rainey-Smith
This is an ambitious novel, reimagining the life of the great great
grandmother of the author. It is not
for the lazy reader who doesn’t want to have to work a little bit for
rewards. I took a wee while to settle
into the story, to adjust to the tone and the quite dense detail used to evoke
period and character. But, I was deeply
fascinated too and became engrossed in the life of Elizabeth Smith told partly
in a series of laudanum-filled reminisces by the protagonist herself, now in
London nearing the end of her life and imagining what she would say if she
wrote a memoir.
In the afterword,
the author tells us “True history was carefully hidden by Elizabeth herself and
may never be written.” Thus, the
author sets out to re-imagine a history for her. At times I wondered if the author may have
tripped up (but only a little) on her attachment to the authentic history of
the other characters who are part of the story.
It’s the difficult balance I guess as to how to evoke and replicate
history, the weight, the yoke of it. I
sometimes wanted just more of Elizabeth and her story and less distractions
because she is such an interesting character. But these are important Colonial characters
and they include Bishop Selwyn and his wife Sarah, Mary Ann Martin (wife of
Judge Martin) and Elizabeth’s two sons, Henry and Ish. I learnt a lot. This can’t be bad. I don’t know much about early New Zealand Colonial
history.
The relationship between Elizabeth and Mary
Ann is somewhat central to the whole story and indeed Mary Ann Martin has
written her own personal account of this period ‘Our Maoris’ by Lady Martin
1884. Elizabeth Horlock Smith worked
with Lady Martin running a hospital for the natives at Taurarua, (Judges Bay,
Auckland). In the novel, Elizabeth is
the robust hard-working nurse to the natives and Lady Martin more the invalid
benefactor who oversees the work. I
sense the motivation of the author to set straight the record on behalf of her
great, great, grandmother who was known by the local Maori as Mata Te Mete. I
would have liked more of her life and work at the hospital but it is only one
small but very interesting part of the overall story, which includes a very
moving love affair with a local Maori.
One of the interesting themes is the
childless marriage of Mary Ann Martin to her beloved Judge Martin which the
author imagines as unconsummated. There
is a fascinating moment early on en route to New Zealand, Elizabeth travelling
as companion to Mary Ann sailing on the ship ‘Tomatin’ when they are temporarily
stranded in Australia. Mary Ann is
distraught at the lengthy separation from her husband and becomes
hysterical. The cure for hysteria “the
very latest from Europe” is a delightful detail that will fascinate and amuse
many, if like me, they have never heard of it.
At heart, this novel
is about the heart. Elizabeth is
looking back at the men she has loved, husbands and sons, and too the
reappearing through a laudanum haze, of her deceased daughter. It is the story of huge courage and
fortitude required of people leaving England to take up life in the Colonies,
and yet too, the hope with which they fled their equally tough and class-ridden
lives in England. It isn’t
chronological and it can be at times confusing, because Elizabeth is obscuring
her own past, reinventing herself and others participate in perhaps colouring
and clouding this history.
The Reverend William
Cotton is a close friend to Elizabeth, both in New Zealand and when she returns
to England. He is a comical and too, a
sad true character, whom the author suggests in the afterword, may well have
suffered from what we now know as bi-polar episodes. Evidently, when he returned to England, he
was dubbed the “lunatic priest’ of Frodsham.
But he is a great foil for Elizabeth’s story, as he is both slightly mad
and also very knowing and close to both Elizabeth and to Mary Ann. This assists with the unravelling of the
story through conversations that with someone saner might not have been
appropriate.
The relationship
between Elizabeth and Bishop Selwyn and his wife, accentuates the differences
between the old and the new world. In
New Zealand they are considered friends, but on their return to England, their
status means this is no longer able to be acknowledged in such a public
manner.
I must say, that Stephanie Johnson
has re-imagined an intensely colourful, pulsating, lively, smelly, detailed London
and evoked a very atmospheric Colonial New Zealand. Too, she has given great thought to her
characters, their health, their physicality, down to teeth hurting when they
eat certain foods, lovely details, actually quite achingly real details about
how it was to be alive in such a time – the need for the laudanum to take the
edges of the harsh existence – both the cruel facts of class in England, and
the isolation of the Colonial life.
Buxton the spa town is contrasted evocatively with the thermal pools of
Rotorua, the soothing solitude that Elizabeth experiences here, versus the very
public, frantically crowded and fashionable Buxton spa. Sometimes the detail in the writing delights
and sometimes it is a distraction, almost a wilful obfuscation.
I imagine this will
be a highly successful book club sort of book.
It is likely to generate good discussion. Those who love the historical detail will
revel in it and those who are sometimes annoyed by what seem like unnecessary
segues (like me) will find fault while still loving the learning generated from
this. Also, the life of Elizabeth is not
fully unravelled and so if your book club is anything like my No.1 book club,
you will find yourselves inventing scenarios, adding to the fiction, arguing
about it, reinventing history, as has the author.
Footnote:
Footnote:
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