1. What kind of child were you?
I'm told I was in a world of my own, happily self-occupied, dreamy and contented in my own company. I saw fairies in my garden and was afraid of an invasion by foreign soldiers. World War II had just ended. I don't remember my earliest drawings - art materials for children were scarce back then. I drew on the footpath with chalk and charcoal. I copied images from the Arthur Mee Children's Encyclopaedia in blacklead pencil.
2. Have you always had your own world view?
Yes, I imagine so. I started out with a sensual experience of my world. Impressions, textures, noises, sparkling light, pleasure and pain ... The sensuality of personal experience probably remains a vital part of my world view. It has been called the felt life. One feels the painful state of the world and yearns innocently for universal beauty, health and peace - but in time one learns to work as calmly as possible with the appalling realities of humanity. A world view is probably an expression of self.
3. What's the worst bit about being a Living Treasure?
There is no practical benefit such as a modest train fare concession or a free icecream once a year. No special hat or T-shirt, no velvet cape, no medal, no food vouchers. Nothing! A terrible disappointment. All one gets is this reference when being introduced at a public event in front of an audience. What sort of look am I supposed to have on my face when I hear this? It's a bit embarrassing and rather funny. I take it lightly and with good cheer. I don't want to sound priggish but there are some very grotesque and dubious Living Treasures in Australia - and for me there is an unfortunate guilt by association factor.
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Michael Leunig is speaking at the Auckland Writers Festival at 4.00pm this Sunday in the ASB Theatre, Aotea Centre
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