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The quintessential American writer’s writer, or critic’s writer, or whatever, Steven Millhauser has long excelled at the three major forms of fiction. In 1997 he won the Pulitzer Prize for his novel Martin Dressler, a chimerical 19th century study that discovers Modernist ennui under the turtle shell of the American dream. He has been praised, too, for his novellas, by Jim Shepard and others, who rightly imply that he has more or less mastered the American incarnation of the form — even if, as Millhauser wryly explains it, the novella isn’t a form but a length. … Read More
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