Four writers selected
for the residency programme at the Michael King Writers’ Centre next year will
explore diverse aspects of New Zealand life and culture - from Māori
spirituality, a soldier’s “mutiny” in World War One, an act of terrorism by a
punk anarchist, to a book on the evolution of the arts in a small country.
The writers selected
for the four residencies at the Devonport writers’ retreat are playwright Philip
Braithwaite from Dunedin, writer and film-maker Roger Horrocks from Auckland,
academic and historian Mere Whaanga from Mahia and playwright Rochelle Bright
from Auckland.
Philip Braithwaite
will take up the eight-week Summer Residency to complete the final rewrite of a
play about his great uncle, a soldier who was executed for mutiny at a British
military prison camp in France in 1916. It is also the story of the family, and
the shame that followed it for a hundred years.
Braithwaite has won
or been a finalist in many playwriting awards, including the Adam Play Award
last year. He has written for theatre since 1999 and his plays have been produced
at Centrepoint, on Radio New Zealand and the BBC World Service. The War Play is scheduled for production
at Fortune Theatre next year. He has also worked as a
scriptwriting teacher at Massey University, Victoria University and Whitireia
Polytechnic. He was the William Evans
Playwriting Fellow at Otago University 2013-2014.
Roger
Horrocks was founder and head of the Department of Film, Television and Media
Studies at Auckland University, the largest department of its kind in New
Zealand, and is Emeritus Professor. Ten years ago he retired early to write
full time. He has written on many aspects of film, television, literature, the arts and is a published poet. Len Lye, his biography of the experimental
film-maker, was a finalist in the NZ Book Awards in 2002. He has been involved
in many media and arts organizations and was made a Member of the NZ Order of Merit
(MNZM) for services to film and television. He has been awarded the
Autumn Residency to work on his latest project, a book about the evolution of
the arts in New Zealand. He will study the whakapapa of New Zealand culture,
from colonial cringe to the growth of many areas of local art, including the Māori
renaissance,
and the impact of digital technology today.
The Māori
Writer’s
Residency has been awarded to Mere Whaanga (Ngāti
Rongomaiwahine, Ngāti Kahungunu), who has written a wide range of non-fiction work on
aspects of the Treaty of Waitangi, treaty claims, Māori
cultural
practices and books for children. She will hold the eight-week residency to
work on an adult novel, Legacy of the
Seer, which centres on leader Te Paea and her matakite or psychic
abilities. The story of rural Māori in the greater Wairoa
area and the pain of cultural loss is tracked through the life journey of Te
Paea and her daughter Mata.
The six-month
University of Auckland Residency at the MKWC has been awarded to Rochelle
Bright for a theatre/indie opera crossover drama about Neil Roberts, a punk anarchist
who blew himself up outside the Whanganui police computer building in 1982. She
has been General Manager of Auckland’s Massive Company since 2011, after six-years studying and
developing theatre in New York.
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