By Noelle McCarthy
New Zealand Herald - Nov 4, 2014
Vreeland had Vision with a capital V, and she spared no expense attempting to realise it. From Cecil Beaton to Richard Avedon, the greatest photographers of the 20th century were regular collaborators. When she finally left Vogue, it was with the distinction of having taken a fashion magazine and turned it into a bona fide cultural touchstone. The visionary look of Vogue throughout the 60s is a testament to Vreeland's preternatural instinct for what would delight and inspire readers.
As her famous memos attest, it wasn't just the big picture that mattered to her, but also the very smallest details. Collected together in a big handsome book, those memos are a fascinating insight into Vreeland's visual genius, not to mention her terrifying talent for micromanagement. More
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