Jazzy prose that occasionally lets go of “proper usage” is Leonard’s trademark. He’s a stylist of forward motion, placing narrative acceleration above inconveniences like pronouns and helping verbs. While this creates in most readers a heightened sense of excitement, newcomers may find the transition from complete sentences daunting; it may take a little time to accept Leonard’s prose before you allow it to do its work on you. I’ll admit to having to make such an adjustment when beginning “Raylan.” At the same time, I’m also a novelist who lives in fear of my copy editor; being such a coward, I can’t help respecting Leonard’s grammatical bravery.
While relatively new to Leonard’s novels, I’m not new to the subject matter here. The titular character, Raylan Givens, is also the protagonist of an excellent FX television series, “Justified,” which is based on Leonard’s novella “Fire in the Hole,” originally published as an e-book in 2000. Givens appeared in two earlier books — “Pronto” and “Riding the Rap” — but the success of “Justified” has prompted Leonard to put him back on the job.

For those still unfamiliar with Raylan Givens, he’s a United States marshal known for his ever-present cowboy hat and his quick draw. He also has good manners, is deferential toward women and demonstrates a certain reticence about speaking any more than is necessary. “I haven’t thought of anything worth saying,” he tells one character, who replies: “You just did it again. You make one-line declarations. You sort of mope around, so to speak, while your mind is flicking lines at you.”