Worship: A History of New Zealand Church
Design
Bill McKay and Jane Ussher please
Published 2 November 2015; Godwit; RRP $85.00
The most beautiful book it has been my privilege to hold and read this year? Almost certainly. A totally gorgeous piece of publishing.
Although congregations have been dwindling in
recent decades, we have probably taken it for granted that the bricks and
mortar of our iconic churches will always be a familiar part of our
communities. We rely on these churches to be there for our weddings, baptisms,
funerals and key dates on the religious calendar, just as bygone generations
have done. Churches haven’t just been places of worship, they are also
repositories of the memories and stories that define us as individuals, as
families and as members of wider society. Churches have historically been the
social hubs of the community.
But, many churches around the country today
have never been more vulnerable. The fate of these architectural, cultural and
social touchpoints very much hangs in the balance as various communities
grapple with the eye-watering costs required to meet the new earthquake
strengthening requirements.
It is with considerable urgency, then, that
we record some of our architecturally-significant and diverse buildings for
posterity.
Bill
McKay, one of our leading architectural historians, and award-winning photographer Jane Ussher have
collaborated to present Worship, a stunning, unique and very special celebration of the history of New
Zealand church design over the past 200 years. Together, they thoughtfully
explore the history and diversity of church building in New Zealand.
Worship brings together early country churches, grand cathedrals
and striking modernist designs in a unique survey of some of our most
compelling landmark buildings.
The selection ranges from humble little wooden country
churches to very grand architectural statements such as those found in the
South Island’s historically affluent communities in Timaru, Oamaru and Dunedin.
Jane Ussher has a particular eye for rich detail, as we
saw in her beautiful and award-winning book Still Life: Inside the Antarctic Huts of
Scott and Shackleton.
Through her lens, she captures the human touches and the
array of decorative features that tell a social history of a church and its
congregation: the embroidered cushions, velvet kneelers and vestments; the rich
carvings and exquisite tukutuku and kowhaiwhai panels of our Maori churches.
Jane finds those personal, intimate details that we often look for when we
visit churches as tourists, seeking a better understanding of the local
community and culture.
It
is a magnificent and enduring contribution to our architectural, historical and
religious conversation.
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