Only hours before the ABs’ almost debacle, David
McGill launched his new novel The
Death Ray Debacle at the Paekakariki Railway Station Museum at 2pm
on Saturday. It too was heading for a debacle. The whistle was delayed for its
launch as the few attendees stood outside the station watching traffic diverted
and long queues resulting from an articulated lorry failing to make the corner
and tipping its load all over State Highway One.
Like the All Blacks, the launch proved a trial for the viewers, with the quorum of 25 getting restless waiting for kick-off. McGill kicked his first effort into touch on the full, a joke about his childhood spent in a steam train railway settlement in the Bay of Plenty and now he was in his second childhood in this steam train railway settlement. He got back in the game explaining that he had written what he believed to be New Zealand’s first spy novel about the New Zealand Police and particularly Special Branch conducting surveillance in 1935 of the increasingly aggressive Auckland German Club, which was taking names of Jews and those with German heritage of military age. This he combined with the attack on a Takapuna inventor of a ‘death ray’ by ‘foreign agents’ attempting to steal his blueprints and the government whisking him off by steam train in the dead of night to Wellington. The inventor spent six months on Somes Island in the middle of the harbour under armed guard 24 hours a day trying to develop weapons keenly sought by all the major powers gearing up for war. Hence the cover flags of Germany, Britain and the Soviet Union flanking the inventor on the front cover.
What we now know as lasers and radar were not yet invented, but claims this inventor could blow up objects at a distance and identify planes before they were in sight were the very weapons all countries were actively seeking.
Like the All Blacks, the launch proved a trial for the viewers, with the quorum of 25 getting restless waiting for kick-off. McGill kicked his first effort into touch on the full, a joke about his childhood spent in a steam train railway settlement in the Bay of Plenty and now he was in his second childhood in this steam train railway settlement. He got back in the game explaining that he had written what he believed to be New Zealand’s first spy novel about the New Zealand Police and particularly Special Branch conducting surveillance in 1935 of the increasingly aggressive Auckland German Club, which was taking names of Jews and those with German heritage of military age. This he combined with the attack on a Takapuna inventor of a ‘death ray’ by ‘foreign agents’ attempting to steal his blueprints and the government whisking him off by steam train in the dead of night to Wellington. The inventor spent six months on Somes Island in the middle of the harbour under armed guard 24 hours a day trying to develop weapons keenly sought by all the major powers gearing up for war. Hence the cover flags of Germany, Britain and the Soviet Union flanking the inventor on the front cover.
What we now know as lasers and radar were not yet invented, but claims this inventor could blow up objects at a distance and identify planes before they were in sight were the very weapons all countries were actively seeking.
Fearing he was drifting into touch, the author
pointed out the collage he had assembled of the major visual elements, starting
in the top right with the gold-painted nude of the dancer Freda Stark, whom his
detective narrator shadows to the Civic Theatre. He is hoping to locate her
friend a German lady who is one of the spies chasing the blueprint.
Unfortunately the detective falls foul of her colleague. A Scotland Yard
observer assists the detective in pursuit of suspects in Devonport and at
Auckland Museum before he boards the train at Auckland Station to assist in
getting the inventor safely to Wellington. All these events happened, McGill
assured his audience. Indeed, he realised he had made use as set-pieces in the
Auckland half of the book of the iconic structures of his youth, the Civic
Theatre, Auckland Museum and the railway station, all of which he had written
about as heritage structures. He added that the stamped metal ceiling in the
station was imported at huge expense from Germany, something that would not
have been contemplated a few years later.
Moving along, he described the steam train
chapter as one where he could indulge his interest in steam trains and recreate
the sleeping cars of the time. Among the research he made use of was the term
‘sago’ as a code word for steering coloured people, presumably including Maori,
into a compartment separate from pakeha.
The second half of the book involved both
detectives and armed soldiers protecting the scientists from threats from
without and within the quarantined island, which was supposed to be a New
Zealand equivalent of Alcatraz.
Recognising the dry coughs and shifting feet
McGill cancelled reading of extracts in favour of afternoon tea. No second
invitation was needed. Folk made as quick an exit as that South African ref
after the game Scotland was denied by his whistle blunder. And thus the game of
two halves proved so, the club sandwiches, chocolate sultana squares, asparagus
rolls and scones polished off quick smart, washed down with red and white wine
and beer, tea and coffee for some. McGill and his colleague Michael O’Leary,
who had delivered a few of his railway poems with accompaniment from noted jazz
pianist Gilbert Haisman, were gratified that tea was followed by wallet
opening. The second half was praised by all and McGill felt he had sold enough
copies to get out of jail. Not a debacle after all. A narrow win. One lady fan
said she was buying his book because she was interested in Freda Stark.
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