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by Yael Kohen - Work in Progress
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Before I was led into the receiving room of Phyllis
Diller's 10,000-square-foot, gated Brentwood home, I was told the
legendary comedy queen, who died Monday at the age of 95, preferred to
be called Madame Diller. There would be no hugging or kissing--just a
shaking of the hands. I would have 30 minutes and then I would sit on a
velvety green settee that was positioned on Madame Diller's right. The
formality threw me. I didn't expect Madame Diller, the mad-cap comedian
with the tacky frocks and fright wig--famous for the kind of
self-deprecating barbs that make you cringe--to take herself so
seriously. We've all heard about comedy's boys clubs and the only
explanation that popped into my head was that maybe after a
half-century of working on a male-dominated comedy circuit, Diller had
a chip on her shoulder and wanted to make sure she was getting some
respect.
But Diller, who was 92 at the time of the interview, was not at all
like that. And she didn't talk about boys clubs. That wasn't a barrier
she seemed to relate to even though when she launched her career back
in the late-1950s, she was one of the few women who dared to perform
standup. "Whether you're man, woman, or mouse," she said in
an interview for my book We Killed:
The Rise of Women in American Comedy. "It's either you are
funny or you aren't. Either you connect or you don't." How about
hecklers? "I never had hecklers. Here's my rhythm: Either I am
talking or they are laughing. You would've had to make an appointment
to heckle me. Silence attracts hecklers. They have to have silence.
They never had a chance." Did she get paid as much as her male
peers? "Probably more." At the height of her career, Diller
said she was pulling in a million a year.
Read on...
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