Saturday, October 29, 2011

Hyperink's E-Book Model Turns Publishing On Its Head

Tomio Geron, Forbes Staff

Kevin Gao, CEO of Hyperink
The book publishing industry has been going through a transformation as physical books move to digital.
Building on that growth, a new start-up Hyperink is a publisher of digital books that are targeted to specific niche audiences. “We’re directly taking on Amazon and trying to disrupt how the entire book publishing industry works,” says Hyperink cofounder and CEO Kevin Gao.
In a change for the book industry Hyperink generally does not select from books that are submitted by authors. Instead, the company finds topics that are in demand through analysis of things like Google search trends. Then it seeks out authors for those topics. “It’s the reverse of the traditional book publishing industry, which is supply-driven, where you get manuscripts and pick from them,” Gao says. Does that sound like blog writing, where a bunch of similar stories all target certain hot keywords? In some ways, Gao says, but Hyperink’s books are structured, organized and written by experts in their fields. Instead of spending one or two years to publish a physical book and trying for big mega-hits, Hyperink is going the opposite direction. It focuses on fast publishing–it can churn out a book in a month at one-tenth the cost of physical books, Gao says. It’s also going after the “long tail” with topics such as “Getting Corporate Law Jobs,” “Dating For Singles Over 40,” and “Marketing Your Android App.”
Because of its model Hyperink can get much more specific with titles than typical publishers. For example, instead of a book on “How to get into College,” Hyperink has a book, “Harvard Law School Admissions.” Hyperink’s books are typically 30 to 75 pages. “Book publishers generally have generic topics that are 200 pages because it looks good on a bookshelf and because of all the overhead costs,” Gao says. “We want to get really specific and really long-tail to give consumers the books they really want to read.” While the books are largely non-fiction now, Gao says the company could do fiction as well.
More at Forbes.

Hornby calls for a nationwide network of story 'ministries'

Author Nick Hornby wants to establish a national network of story centres for children, following a successful first year for the Ministry of Stories in Hoxton, London, which Hornby co-founded with Lucy Macnab and Ben Payne.
Hornby said: "The Ministry of Stories has had a happy, healthy and exciting first year, and there has been overwhelming interest from children, parents, schools and volunteers. We want to establish ourselves even more firmly in the community, involve even more local writers, artists and musicians, and hopefully inspire other Ministries up and down the country."
The east London-based centre includes a monster-themed shop and a workshop area where young people are supported in their creative writing by authors and illustrators. It is open to local schools and families and the events are free.
The initiative also has a publishing arm, which includes work both by children and established authors. This month it has launched its "Tins of Fear" in time for Halloween. Each tin contains a story by authors including Eoin Colfer, Meg Rosoff and Charlie Higson, as well as some "medicine" sweets.
The Ministry of Stories workshop area is accessed through the monster-themed shop. Macnab said: "We see the shop itself as a gateway to imagination, which is why we have the monster theme. It is a joke but it's done with a very straight face, and that has an impact on the children who are coming here to write, because it encourages them to be creative.
"They come into a shop that is for monsters—we have nocturnal opening hours to suit our vampire customers, one of our monster customers has taken a bite out of one of our shelves, and all our products are for monsters." Products for sale include zombie fresh mints, cubed ear wax (fudge), human snot and now the "Tins of Fear", in case a monster is feeling a little low on energy.
The centre was inspired by a series of themed writing and creative centres established in the US by Dave Eggers.

Used Book Stores Are In A Great Position To Benefit From The E-Book Apocalypse

Kim Bhasin|Oct. 27, 2011- Business Insider


Bookstore

The corner bookstore is supposed to go extinct once Amazon takes over the world. If Borders-- and even mighty Barnes & Noble's -- couldn't fight off the behemoth, how would the lowly local shop even stand a chance?

Well, most don't, but it may be possible for some, and here's why.
Mark Mason at the Spectator just wrote about a bookstore that recently opened up near him, and is thriving. He makes an intriguing argument that bookstores may still have a future -- in secondhand books.
Mason writes:
If the trend towards e-books continues, and such physical copies as people do buy are delivered by post, the newbies may well get vapourised. That will leave us, however, with literally tens of millions of physical books from the BC era (BeforeComputers). They’ll be sitting there on people’s shelves and in their attics, and sooner or later at least some of them will need new homes.
Meanwhile, as fingers sweep over iPads and thumbs press Kindle buttons, people will yearn (as they always have, and always will) for Something Different. The novelty value will be in physically browsing a shelf, not for the few dozen titles that are out that month and you already know about from Front Row and the newspaper review pages, but for titles you’ve never heard of, or meant to read but never got round to reading, or whose cover just plain intrigues you.

Read more: http://www.businessinsider.com/will-secondhand-book-stores-be-the-ones-to-survive-the-e-book-apocalypse-2011-10#ixzz1c6RCCbeq

Poet's New CD to be launched by mayor

‘Fences Fall’, a new CD of songs with lyrics by Paekakariki poet Michael O’Leary,(above at his PhD graduation earlier this year) will be launched by Mayor Jenny Rowan on Guy Fawkes night (Nov 5) at St Peter’s Hall in Paekakariki.

The launch party will feature live music by performers on the CD. The songs, written mostly by well-known Kapiti songwriters, are described as “Kiwi re-invention of the folk traditions and boldly literate rock music associated with Bob Dylan, Leonard Cohen, the Beatles, Irish folk song, and the seminal sounds of blues and country.”
“The launch will be quite a party,” says Michael O’Leary.  “The CD features about 20 great Kapiti Coast musicians.  Most of them are well-known performers with CDs of their own, and the party will see them turning on, for most part, their raunchy dance music side.”
Michael O’Leary is described by Dr. Neilson Wright as “… a powerful writer (who) never falls into mediocrity and consistently shows a strain of genius.”
He has written 20 books of poetry and fiction, and is a trustee of the Poetry Archive of New Zealand.  He also runs the Earl of Seacliff Art Workshop (E.S.A.W.) which has published works by Hone Tuwhare, David Eggleton, Elizabeth Smither, Greg O’Brien, John Pule and others.
The songs on ‘Fences Fall’ are by singer-songwriters Helen Dorothy, Kayte Edwards, Niels Gedge, Francis Mills and Al Witham, with instrumental numbers by Gilbert Haisman and Brian Romeril.  It was recorded at Ross McDermott’s Soundsgood studios in Paraparaumu.   It will be available at a special launch price of $20.
Doors for the launch party will open at 7.30.  Admission is $5. Tickets are on sale at the Paekakariki Fruiterer and door sales will be available.

Arts on Sunday - Radio NZ National - Sunday 30 October 2011


2:40 pm Chapter & Verse: 
Our featured writers are poet and playwright Caroline Lark, and Breton Dukes (left) who's published a collection of short stories exploding two myths - that of the male stereotype and the grim short story.

2:50 pm 
One of New Zealand's foremost antiquarians, Anah Dunsheath, has been finding and selling rare New Zealand books for more than three decades.

In praise of easy reads

It might not be the right way to judge the Booker, but readability is something we all crave from time to time, and the books don't need to be bad

 - guardian.co.uk,
Patrick McGrath
Nice and easy … Patrick McGrath at home in Ibiza. Photograph: Eamonn McCabe
To be zinged by the literary establishment twice in one week is a special kind of privilege. I didn't see Stella Rimington's now-legendary Man Booker prize speech – in my defence, I was trying in vain to rock a two-week-old baby to sleep – but someone mentioned later that she had attacked unnamed critics for "writing lists of books you would have chosen if you had been the sole judge". Goodness, I wondered: could she mean me? Then, a few days ago, Jamie Byng, publisher at Canongate and founder of World Book Night, issued a blunter response to my comment that the list of next year's World Book Night books was tilted heavily in favour of authors who already have very large readerships.

Byng was right to criticise me, I think: World Book Night is about readers, not authors. (And presumably big sellers are more likely to be in a position to waive their royalties.) It is aimed at getting books into the hands of people who wouldn't pick them up otherwise, and those who are selected to distribute books are told explicitly that their books are to be given to "non or light readers" – though tips for identifying them are not provided. So the fame or otherwise of the author is not important, but the type of book is. And this of course fits in neatly with The Booker Kerfuffle (to name it in the style of a Robert Ludlum novel).

The common thread is that much-maligned (by me, among others) word: "readability". If we accept what the Booker judges didn't, quite, and say that it essentially means "not too hard going", then it's not much of a measure for a literary prize, but it's more or less essential if you're aiming to give books to people who don't normally read. There are very good books on the World Book Night list, from Iain M Banks's The Player of Games – my own favourite of his novels – to Andrea Levy's sublime Small Island, which marry quality with approachability.

But you don't have to be a reluctant reader to be attracted sometimes to something that slips down effortlessly. "I have never been able to finish a novel by Kafka," said Martin Amis. "But then, neither could Kafka." For my part, Amis would be appalled to know how often I have abandoned the various works of his literary mentor Saul Bellow. At least now, with aforementioned baby issues, I have an excuse for not quite yet getting around to tackling Parade's End, or The Recognitions, or The Kindly Ones; I have an excuse for presently preferring books which are short and can properly be read in four-page bursts.
Read the full piece plus suggested titles at The Guardian.

Steve Jobs

Shelf Awareness

Steve Jobs

The biggest book of the year was published this week. Like one of the subject's own products, it was masterfully timed, packaged and presented--and delivers the goods.

We're talking about Steve Jobs, the biography by Walter Isaacson (Simon & Schuster), who was asked by the Apple co-founder and tech icon to write his life's story. (See our review below.) Uncharacteristically for Jobs, he gave Isaacson unfettered access and free rein. In the end, Jobs did exercise some of his famous micro-managing and penchant for control: although he didn't ask for changes, he reportedly decided on the cover portrait (in black and white).

The book makes for mesmerizing reading and includes stories from the subject's childhood that everyone can identify with. Our favorite from that period: bored in school, a young Steve Jobs once put up signs for a very unsanctioned "bring your pet to school day."

Isaacson also recounts Jobs's triumphs and temporary setbacks, everything from the original Apple II to his expulsion from Apple to his triumphant return to Apple, right through to the iPhone 5. He also delves into some of the stickier aspects of Jobs's career and his personality. Did he really stiff his co-founder out of puny bonus years ago?

Jobs said that in this book, he wanted to be written about "warts and all." Isaacson proved equal to the task, and, interestingly, this is one of the major attractions of Steve Jobs: the more we learn about Jobs, the more compelling, human, brilliant, flawed, awful and wonderful he becomes.

Although much more time must pass before we can fully understand and measure Steve Jobs's contributions to the world, for the foreseeable future, this is the definitive biography for now. We highly recommend it.

Happy reading!

Three bookshops lauded by Parliament

Three bookshops were among the top 10 retailers to be recognised in the Parliamentary Small Shops Competition.
Kemptown Bookshop in Brighton won a trophy for coming third in the competition, run by the Independent Retailers Confederation and the All-Party Parliamentary Small Shops Group (APPSG). The Torbay Bookshop in Paignton and Hayling Island Bookshop in Hampshire also featured in the top 10.
The competition is designed to bring small retailers to the attention of their MPs and the Booksellers Association encouraged bookshops to put themselves forward to their local MP.
Altogether, 19 out of the 80 outlets nominated for the prize were bookshops.
Kristian Berggreen, manager of Kemptown Bookshop, said: "We thought the prize was exciting and we thought we could use it in our publicity. It means a lot to us and our loyal customer base, we have won Bookseller of the Year before and they really liked that."
Meryl Halls from the Booksellers Association said: "The achievement of these bookshops is testimony to the central role booksellers play at the heart of their local community and it is a brilliant recognition of all the bookshops who are known to—and loved by—their MPs, as well as their regular customers."

Friday, October 28, 2011

WHITCOULLS DECLINE TO STOCK ONLY OFFICIAL RWC SOUVENIR BOOK !

Have just spent an enjoyable hour reliving all the All Black games with 16 pages devoted to the final match. Some great photo, two pages to each pool game and eight pages to quarter and semi games. Also sections on the opening ceremony, highlights, fans, various AB team photos, the haka of course, Richie and Mils in their 100 test caps and a lot more too.Fantastic stuff. This is the only official souvenir book and I'm glad to have it.
Penguin Books - $17.99. At bookshops now, except at Whitcoulls who decided to publish their own title on the subject and are not Carrying this one. They are nuts but the indie booksellers will be rubbing their hands in glee!

The Cooper Union Rejects Request by St. Mark's Bookshop to Lower Rent but Cooper Square Committee Remains Undeterred by this Setback.

New York, NY: While Cooper Union's negative decision is a disappointment, the Cooper Square Committee remain committed and vows to increase its efforts to ensure that the St. Marks Bookshop will not become another casualty of the economy.  Cooper Union is the landlord for the St Mark's Bookshop.

On Tuesday, October 25, 2011, three separate meetings took place regarding the St. Mark's Bookshop. The bookshop is one of the few remaining independent bookstores in NYC and it is in severe financial crisis. It has requested a rent reduction of $5,000 from the monthly rent of $20,000, which would allow it to continue operating and serving the community.

The first meeting was an impromptu meeting of three representatives of the Cooper Square Committee and Cooper Union President Jamshed Bharucha, initiated when the Committee delivered 43,630 signed petitions to his office in support of St. Mark's Bookshop.

The second meeting took place later in the day between the owners of St. Mark's Bookshop and T.C. Wescott, a Cooper Union Vice President. During this meeting, it was confirmed that Cooper Union would not agree to a reduction in rent.

The third meeting took place at the bookshop with Jamshed Bharucha and T.C. Wescott shortly after the bookstore owners returned to the bookshop.  At this follow-up meeting they reiterated that they could not reduce the $20,000 monthly rent.

Joyce Ravitz, chair of the Cooper Square Committee, a Lower East Side neighborhood preservation organization, notes that Cooper Union originally offered the St. Mark's Bookshop favorable terms on its lease in 1993 as a good will gesture at a time when the Cooper Union's expansion of its dormitories had angered the neighborhood. The rent has since gone to $20,000 with built-in yearly raises.

Property values have skyrocketed in this neighborhood partly because of institutions like theaters and bookshops. We had hoped Cooper Union would play a role in stabilizing and preserving the character of the Lower East Side, and are saddened that it seems to be choosing to help destroy it.
It's ironic that Cooper Union touts its proximity to neighborhood bookstores as one of its attractions.
For further information please E-mail: joyce@coopersquare.org  or visit the website at: www.coopersquare.org.

Saturday Morning with Paul Diamond: 29 October 2011 - Radio NZ National

(Kim Hill is on leave)

8:15 Fintan O’Toole: the Irish presidency
9:40 Brian Calhoun: retaking the Net
9:05 Kevin Prime: governance and action
9:30 Paul Hamer: Maori in Australia
10:05 Playing Favourites with Jenny McLeod
11:05 Fiona Farrell: walking and the broken city
11:45 Edward Meyer: collecting weirdness

Producer: Mark Cubey
Wellington engineer: Steve Burridge
Auckland engineer: Jeremy Ansell

8:15 Fintan O’Toole
Fintan O'Toole is a columnist, assistant editor and drama critic for The Irish Times, and has written for the paper since 1988. He is a literary critic, historical writer and political commentator, and a critic of corruption in Irish politics. He has written over a dozen books, most recently, Enough is Enough: How to Build a New Republic (Faber, ISBN: 9780571270095).

9:40 Brian Calhoun
Brian Calhoun is a new Kiwi with an American accent who is trying to recreate the best parts of San Francisco in Wellington. With Sibylle Schwarz, he co-founded Retake the Net, which aims to help keep the Internet free and open, and they have organised the Retake the Net barcamp, a free all-day “unconference” on 29 October.

9:05 Kevin Prime
Kevin Prime is of Ngatihine, Ngati Whatua, Tainui and Welsh descent and has been working as an Environment Commissioner with the Environment Court since 2003. He has been a farmer and forester in Motatau, Northland, for the last 40 years. During the last 20 years he has been involved in community matters with marae committees, Māori committees, runanga, Māori development, school boards of trustees, charitable trusts, health trusts, community trusts, forest trusts, forest companies, health companies, health boards, conservation boards at local, regional and national levels, and has also served on Ministerial Advisory groups pertaining to health, forestry, conservation, Māori affairs, environment, crown research institutes, lands, and sport.

9:30 Paul Hamer
Paul Hamer is a Senior Associate of the Institute of Policy Studies at Victoria University, and works for the Waitangi Tribunal. His specialist area of knowledge is the migration of Māori to Australia, and he is also involved with the issue of post-Treaty settlements.

10:05 Playing Favourites with Jenny McLeod
Composer Jenny McLeod has been working on the libretto and music of her new opera, Hohepa, since the late 1990s. Based on the true story of the friendship between a Māori chief and a Pakeha settler during the New Zealand Wars, Hohepa will receive its world premiere with the New Zealand Opera staging at the 2012 New Zealand International Arts Festival (24 February to 14 March). Jenny McLeod.is a former Professor of Music at Victoria University of Wellington, and was awarded the New Zealand Order of Merit in 1997. She is the Composer of the Week on Radio New Zealand Concert from 6-11 November.

11:05 Fiona Farrell
Fiona Farrell is a writer of novels, short stories, plays, poems and non-fiction. She is the Robert Burns Fellow 2011 at the University of Otago, and her new travel book, The Broken Book (AUP, ISBN 978-1-86940-576-2), contains four essays about life and walking, and 21 poems about the Christchurch earthquakes and their aftermath. Next month, Fiona will be a guest speaker at the ScienceTeller Festival, centered around University of Otago's Castle Lecture Theatre complex (15-19 November).

11:45 Edward Meyer
Edward Meyer is Vice President of Exhibits & Archives for Ripley Entertainment, Inc., the company that operates more than 80 attractions, in 11 countries worldwide, ranging from its famous Believe It Or Not! museums to aquariums and sight-seeing adventures. The company has also just published the 2011 edition of its Ripley’s Believe It or Not! annual, Strikingly True (Icewater Press, ISBN: 978-1-60991-000-6).

***********
Saturday Morning repeats:
On Saturday 29 October August 2011 during Great Encounters between 6:06pm and 7:00pm on Radio New Zealand National, you can hear a repeat broadcast of Kim Hill’s interview from 22 October with Professor Sir Paul Callaghan.

Preview: Saturday 5 November
Kim Hill’s guests will include novelist Charles Frazier, chicken panegyrist Annie Potts, and science writer Michael Corballis.

Women's Bookshop - Penguin Independent Bookseller of the Year

Out walking last night and I noticed in the window of my closest local indie bookseller, the Womens Bookshop in Ponsonby Road, a most handsome certificate proclaiming them as winner of the Penguin Books Independent Bookseller of the Year Award.
Bravo, warmest congratulations to Carole and her team.

Photo by Colin Pinfold, Sales  Manager at Penguin Books NZ shows Mary-Liz Corbett, Carole Beu and Tanya Gribben





Announcing the winners of the third annual GREW Prize

Griffith REVIEW is pleased to announce the winners of the third GREW Prize with the release of Edition 34: The Annual New Fiction Edition.
Now in its third year, the 2011 prize has received continuing support from the Copyright Agency Ltd (CAL), Text Publishing and Varuna Writers’ House. CAL’s sponsorship has made it possible to recognise four winners from the emerging writers published in Griffith REVIEW this year. The GREW Prize offers a week’s residency at Varuna – or, for the first time, on Stradbroke Island, where Griffith University has established a writers’ retreat – plus manuscript appraisal and professional mentoring.
CAL’s Chair Sandy Grant said, ‘The GREW Prize is exactly the sort of project that the CAL Cultural Fund wants to support. It is exciting to see the quality of the winning entries – they are truly emerging talent, and talent CAL is proud to be supporting through this sponsorship.’
Romy Ash and Rachael S Morgan share the fiction award, and Meera Atkinson and Nicolas Low share the non-fiction award.
Romy Ash’s ‘Underwater’ appears in Edition 34: The Annual Fiction Edition. Her debut novel Floundering was shortlisted for the 2011 Australian/Vogel Literary award and will be published by Text in 2012. She has written for The Big Issue and Frankie magazine. She writes a cooking column for Yen magazine and the blog Trotski & Ash. Romy lives in Melbourne.
She said, ‘Receiving the GREW Prize will allow me time to pull together disparate strings of thought and begin my second book.’
Rachael S Morgan’s short story ‘Tryst’ is also featured in the fiction edition, and this story won the 2011 Josephine Ulrick Literature Prize. She is a graduate of the Griffith University Creative Writing Program and until recently, she supported herself as an entertainment journalist and arts and entertainment publicist. She is currently writing full-time, putting the finishing touches to her first full-length manuscript and is based between the Gold Coast and Brisbane.
Upon hearing that she won the award, Rachael said, ‘I am so honoured and excited and can’t quite believe it. As a beginning writer, or indeed even as an established writer, you often have doubts about how good your work is. Winning an award like this gives a real sense of validation. It’s extremely encouraging.’
Meera Atkinson’s most recent piece for Griffith REVIEW, ‘Child’s play,’ appeared in Edition 33: Such Is Life; this was her seventh piece in Griffith REVIEW and her work has also appeared in HEAT, Salon.com, Best Australian Short Stories and Meanjin. She is a Doctoral Candidate in the University of Western Sydney’s Writing and Research Society Group, exploring the transgenerational transmission and poetics of trauma.
Meera said, ‘Griffith REVIEW has been the single most important publication in my development as a writer over the last ten years. I am immensely grateful to Julianne Schultz for her inspired and inspiring work and support.’
Nicolas Low has written both non-fiction and fiction for Griffith REVIEW, including ‘Octopus’ in the current edition. His essay ‘Notes from the feral edge’, about his time as Artist Director of the National Young Writers Festival, appeared in Griffith REVIEW 23. He is contributing a major essay on the Christchurch earthquakes for Griffith REVIEW 35: Surviving. A New Zealander of European and Ngai Tahu Maori descent, he has spent the last eight years in Melbourne. In addition to writing, he is an award-winning installation artist, exhibiting work at festivals across Australia. He currently runs the international writing program at Asialink Arts.
Nic said, ‘I've been shifting my focus to writing in earnest over the last six months. I’ve been reading Griffith REVIEW for a while now, and to be included in its pages and recognised by its editors is a huge affirmation. I’m very much at the beginning of a writing career, so the kind of assistance offered by the prize is invaluable.’
Griffith REVIEW has had a tradition of publishing emerging authors alongside established writers. Five years ago, Edition 13: The Next Big Thing featured thirty-four young writers, many of whom have since become well known. Emerging authors benefit from professional editing, visibility and opportunities to engage in major literary events such as writers’ festivals. Publication in Griffith REVIEW has been an important first step for many and a significant part of the role for a publication based at a university which offers outstanding education in the creative arts.
Editor Julianne Schultz AM said, ‘Since the first edition of Griffith REVIEW we have been determined to make space for new and emerging writers to grow on the page, and this year’s new fiction edition is a showcase for new and emerging authors. We are grateful to CAL for the sponsorship which enables us to devote the time and resources to nurture another generation of writers. The intensive experience at Varuna or on Stradbroke Island is a wonderful gift which will help these writers develop further.’
Text Publisher Michael Heyward noted, ‘Text shares Griffith REVIEW's commitment to developing and nurturing new writing talent. The GREW Prize is a demonstration of this joint passion, and we're proud to be associated with it.'
CEO of Varuna, Lis Bastian said, ‘The partnership has made it possible for emerging writers to spend a week of focussed writing time at Varuna with the support of a consultant. Varuna has been impressed by the diversity and standard of writing that has been published by Griffith REVIEW through this process and see it as crucial to the development of new voices nationally.’

Griffith REVIEW 34: The Annual Fiction Edition will be released on 31 October. The island-themed edition presents a unique summer into localities of exclusivity, escape and enchantment and features new writing from Craig Cliff, Chris Womersley, Georgia Blain, Tony Birch, Benjamin Law, Melissa Lucashenko, Ashley Hay, Favel Parrett and many more.

Kobo To Publish Books

By Dianna Dilworth on Galley Cat,  October 27, 2011 

Digital book company Kobo is reportedly getting into publishing early next year. Like a traditional publishing house, Kobo will do the book editing, design and marketing, and will sell the books.
Sound familiar? Amazon has been pushing into the publishing business itself making deals with agents and authors alike. The online giant already has a handful of imprints under the Amazon Publishing umbrella including: 47North, AmazonEncore, AmazonCrossing, Powered by Amazon, Montlake Romance and Thomas & Mercer.
Kobo has been fighting with Amazon for the international eBook business. eBookNewser has more: “The news comes just as Kobo is getting ready to ship out its new tablet computers. The device, which ships tomorrow, is a $199 competitor to the $249 Nook Color and the $199 Kindle Fire (which ships 11/15/11).”
CBC News has more about Amazon’s publishing push: “American thriller writer Barry Eisler is one of the top-selling authors who Amazon has signed as it expands from being an online retailer to a publisher of both electronic and print books. Eisler gave up a $500,000 US two-book offer from his long-time publisher to go with Amazon. His new book, The Detachment, was released digitally last month and is smashing his personal e-book sales record. ‘I’m making far more per unit than I would ever make with a legacy publisher,’ Eisler said. ‘And I’m also selling the book in far more volume than I would have with a legacy publisher or than I could have even on my own.’”

Books-A-Million to Open 41 New Stores in November

By Jason Boog on Galley Cat,  October 27, 2011 

After closing 21 stores in its third quarter this year, Books-A-Million will open 41 new bookstores next month. 

Many of the new stores will open in locations where Borders stores used stand. Booksellers needed some good news this week. Yesterday DreamHaven books in Minneapolis announced it will close its retail store, St. Marks Bookshop didn’t get a rent concession and a Los Angeles Barnes & Noble outlet is rumored to close as well.

Books-A-Million president Terrance G. Finley explained in the release: “We have been working diligently in the last several months to find ways to keep a number of former Borders store locations in operation under the BAM! brand, and these store openings are the culmination of that work. These 41 stores will also benefit local economies by providing and sustaining jobs in and around our new locations. To BAM!, it’s about forging a lifetime partnership with all bookstore lovers.” (Via BookTV)

Didion's 'Blue Nights'

 Book Beast - Oct 26, 2011 - Lucas Wittmann, books editor at Newsweek/The Daily Beast.

An exclusive clip from Joan Didion’s nephew Griffin Dunne’s mesmerizing film of the writer reading from Blue Nights and sharing glimpses of her life.

blue-nights-fall-books
After years of writing some of the sharpest and most pristine prose, Joan Didion hardly needs an introduction, but readers will find her new memoir, Blue Nights, her most personal work yet. It’s a searing recounting of the death of her daughter, Quintana Roo, and Didion’s own struggles with aging and illness, and a follow up to her bestselling The Year of Magical Thinking. So it seems only fitting that her nephew, actor and director Griffin Dunne (with Susanne Rostock), would at her request turn his camera on her to produce a mesmerizing glimpse of the writer. She can be seen reading from her new work in what Dunne describes as an “audiobook for the eyes” filled with family photos.
Watch a clip from their moving film—which we have reason to hope might lead to a full-scale documentary in the near future.

BLOG STATS - What the hell is going on?

 Most weekdays this blog enjoys around 1800-2000 visitors a day with about half that number at weekends so last holiday weekend for example the visitor numbers were
Saturday - 919
Sunday   - 798
Monday  - 969
On Tuesday and Wednesday they reverted to the usual sort of numbers , 1831 and 2036, but then yesterday something extraordinary happened - the blog had 4787 visitors! This is the third or fourth biggest day since I started the blog and for the life of me I cannot work out what it was that caused the sudden upsurge. There was nothing controversial at all on the blog and yet...................
Thanks anyway to all of you. I'm chuffed.
Bookman Beattie

ARTISTS’ IMPRESSIONS OF NEW ZEALAND

 Denis Robinson’s latest and most appealing offering is something of an artist’s road trip – a journey from the top to the bottom of New Zealand through the paintings of nearly 60 artists. The tour begins with Northland and runs cross-country to the south of the South Island.  Work from more than one artist highlights the nuances of each particular region or city. There are 20 regions covered in the book, with an additional focus on the four main cities, Auckland, Wellington, Christchurch – including a commemorative selection of paintings ­­­­– and Dunedin.
  Denis Robinson has once again achieved a portfolio of striking artworks that not only demonstrates the deep well of artistic talent in this country, but also reflects the scenic beauty that surrounds us. The wide and quite commercial appeal of this collection means there is something here for everyone.I found it enchanting and I am sure many copies will find there way into the overseas mail in the build up to Christmas.
Denis Robinson has worked with creative people throughout his career as a designer, art director and gallery manager. Widely travelled, he has acted as a tour guide to the great art museums of Europe. He was instrumental in initiating the Auckland Art Fair and he acts as a judge in art competitions.
With Artists’ Impressions of New Zealand, Denis now has seven bestselling books about New Zealand artists to his name, including four others also published by New Holland. He lives on the Hibiscus Coast, north of Auckland and operates his own art and design consultancy, connecting artists with art lovers.
Publication:          October 2011
Price:                       $55.00
Extent:                    136 pages
Publisher               New Holland
The publishers have kindly allowed me to reproduce some of the images from the book that especially appeal to me but believe me there are many stunners among the 180+ paintings:




Illustrations - top to bottom:
Grand Hydro, Timaru
Grazing on Mt.Eden - Simon Williams
`Low Tide, Oreti Beach, Southalnd - Particia Murdoch
Morning's Glory, Wellington - John Crump
Stuart Street, Dunedin - Mary Mai

Julie Le Clerc’s Favourite Cakes

In a recent Colmar Brunton poll, 85% of respondents said they had baked something from scratch in the previous 12 months, and 41% of female respondents baked at least once a week.

The cakes in this book are Julie’s tried and true favourites — the ones she comes back to time and time again. Many she’s been making since childhood, others she’s made hundreds and possibly thousands of times over the years in her café or kitchen.
Alongside all the recipes Julie happily shares her own hard-won baking advice. These invaluable hints are the set of nifty tricks she has picked up from a lifetime spent creating cakes.
I have to confess to not being much of a baker but it looks to me that this might be the ultimate cake book, covering every kind of cake for every kind of occasion. A must-have for any cake baker.
About the author:
Julie Le Clerc is an imaginative chef, cookbook author, food and travel writer and food stylist. She has had an eventful culinary career that includes many years cooking in professional kitchens, running her own boutique catering business and owning and cooking for two highly successful cafés. Julie has also just been on our screens for several weeks with her hugely successful TV3 show, Café Secrets. She now lives an enviable life filled with travelling, tasting, eating and writing about food. (And Julie I love this new photo of you).

Julie Le Clerc’s Favourite Cakes  -  Penguin Books - RRP $50.00 

RAHUI


‘It blew me away then and it blows me away now.  It is quite breath-taking to look at…’.  I’m so impressed by this book, it is a celebration of our bi-cultural country…’ John McIntyre, Wellington Children’s Bookshop (Book Review, RNZ Nine to Noon).

Rāhui is the exceptional new children’s book by Huia Publishers told through the eyes of children. 
From a story by Chris Szekely and beautifully illustrated by Malcolm Ross (1948 – 2003), Rāhui takes the reader on a wonderful journey to a cousin’s holiday in a rural Māori community having adventures and fun together – playing in the bush, riding horses, fishing, eeling and swimming at the beach.
However, ‘one day, when we were swimming, my cousin Thomas went missing.  We thought he had gone home.’
And so, during the holiday, a death leads to a rāhui being placed on the beach.  The book is at once joyous and wistful, with the illustrations richly evoking the atmosphere of the setting and people.
The Bookman is hugely impressed.
Published as a hardback in both Māori and English editions, Rahui is available at all good bookstores and retails for $20.00.

About the Author and Illustrator:
Chris Szekely (left) was appointed the Chief Librarian of the Alexander Turnbull Library in 2007 – the first Maori to have held the position.  Chris was previously City Librarian at the Manukau City Council, where he headed one of the largest and fastest growing public library services in New Zealand. He was also instrumental in setting up Te Rōpū Whakahau, the professional association of Māori librarians.
Malcolm Ross (1948–2003) gained a Diploma in Fine Arts in painting and a Diploma in Fine Arts with Honours in sculpture, and he had wide-ranging interests in New Zealand history, art and culture.

Jules Older in San Francisco goes into bat for his favourite newspaper

The Chronicle: Ten reasons I hope you'll subscribe

Like papers everywhere, the San Francisco Chronicle is in trouble. More and more of us are getting our news online; fewer and fewer are buying papers.
Here's why I hope you'll reverse that trend in your house, as we have in ours.
1.    PG&E. This company is blowing us up. Literally blowing us up. Without the Chronicle’s investigative team, we’d never know that it’s also ‘losing’ evidence, ‘misplacing’ documents, using shoddy materials, in a cozy relationship with the state’s ‘regulators’… and while the smoke was still hanging in the air over San Bruno, PG&E gave a big bonus to its ‘safety’ director.
2.    Jon Carroll.
3.    Ed Lee. I was right behind Ed for Mayor until the Chronicle began exposing shady practices, shady backers, shady money, even a shady instant biography/hagiography. When I saw Lee’s beautifully produced, ultra-hip, had-to-be wildly expensive YouTube video, that sealed it — I'm voting for somebody else. Wouldn't have known to change my mind without the Chronicle.
4.    Bad Reporter.
5.    UC. At a time when student fees are rising and entrance quotas shrinking, the University of California has been quietly upping pay and bennies for administrators. How do I know? Read all about it in theChronicle.
6.    Willy Brown.
7.    Local obsessions. Aside from sports teams (where Chronicle coverage also shines), what are the things that most interest Greater San Franciscans? Food. Wine. The digital world. Green technology. Nearby nature, beaches and mountains. I keep up on all of them through my morning paper.
8.    Doonesbury.
9.    Lively prose. If I have an addiction, it’s to great writing. I'm amazed at how often I look up from the paper and say, “Hey, listen to this.”
10Leah Garchik.T
Two things you should know.
First, I'm not sentimental about paper vs. digital. I like and use both. But I am passionateabout knowing what’s really going on. Not all papers deliver that, but the Chronicle does… and if it’s going to continue, it needs the financial support of subscribers.
Second, I occasionally write for the Chronicle, and I occasionally fight with the Chronicle. Neither has influenced this message in the slightest.
In this house, we’re subscribers. I hope you'll be one, too.
— jules

10 Myths About Bookselling






Lacey N. Dunham chronicles her experiences in the land of frontlist and author readings.




***

MYTH 1: Booksellers Spend All Day Reading

The quiet bookshop nestled on a tree-lined side street. Inside, the bookseller is perched at the register, an open book propped on her knee. Ah, wouldn’t it be wonderful to spend all day reading and discussing books? You spend your workday surrounded by books; ergo, you spend your workday reading them.
I’m not sure about the origin of the luxurious, all-day reading marathon bookselling myth, but it’s an utter fallacy. While booksellers sometimes read the dust jackets or (in the case of Russell Brand memoirs) hold impromptu giggle sessions that are an introvert’s idea of performance art, bookselling is a job.
Books don’t appear on the shelf in such a tidy order instantaneously. Someone has to unpack the FedEx boxes, add the books to the store inventory database, and place each one in the correct section (no Tolstoy in psychology, please!). Think of doing that for 200-300 books each day (double that on a new release day) all while answering phones, fielding customer questions, processing and sending out books ordered online, explaining e-books, setting up chairs for an author reading, hosting the author reading, updating the store’s social media, checking for shelving errors and re-alphabetizing as necessary, researching a rare title for a customer, collecting books for return to the publisher and selling books at the cash register — you understand why booksellers hate when people tell them, “Oh, I would love to sit and just read all day like you do.” Reading is the last thing booksellers have time to do.
MYTH 2: Booksellers Make Lots of Money, Otherwise Books Wouldn’t Cost So Much
Here’s an industry joke about bookstore proprietors that I think applies equally to booksellers:
Q: How do you make a small fortune in bookselling?
A: Start out with a large fortune.
Yes, books aren’t getting any cheaper, but neither is milk, bread, or a new car. At the bookstore where I work, customers often haggle over the jacket price under the assumption that we control all aspects of the publishing industry. The assumption is ridiculous, of course; books arrive at independent bookstores long after the author’s advance, the marketing budget, the printing costs, and the publisher’s staff (all except the interns) is paid. A bookstore typically makes only 35% of the price set by the publisher. If a bookstore discounts that cover price by 15% or 20%, that’s halving our revenue. And because independent bookstores aren’t in a position to price gouge the way Amazon or non-book retailers like Wal-Mart and Target can, we can’t give you a 50% discount because the cover has a teeny, tiny dent. Booksellers aren’t rolling in the scrilla. For many of us, bookselling is a career we do as a labor of love. None of us are getting rich from it—but if you are topping off your bank account with this gig, I’d like to know if your store is hiring.
MYTH 3: Bookselling Isn’t a Career (i.e. so when are you getting a real job?)
A colleague of mine describes herself as a “professional bookseller” and she’s experienced several eye rolls and questions such as “so what does that mean?” or “why?” Many of my colleagues have worked in bookselling for a decade or more.
We receive dozens applications each week (since the recession that number has tripled). When applicants are asked why they want to work for us and the response is, “I’m looking for a fun job,” their application goes to the bottom of the pile. Ditto for anyone whose favorite books are all staples of high school English classes. If you haven’t read a book since high school and you’re thirty-three, how are you going to keep up with the hundreds of books published weekly?
Although bookselling isn’t as lucrative as a law or business career, it’s still a career choice for literarily minded individuals who love working with the public by day and devouring books by night. Besides, if the legitimacy of a career is based on that career’s annual salary, than booksellers shouldn’t be the only ones asked by well-meaning family and friends when we’re finally going to get a “real” job: teachers, social workers, electricians, and pastors should have to field this question, too.
MYTH 4: Bookselling Is a Low-Stress Job
People who think bookselling is low-stress have obviously never worked retail on Black Friday. Any job is going to have high points and low moments; however, when you’re working with the public, it’s impossible to know if the next person who walks up to you is having the best day of his life and will shower you with rainbows and smiles or if he just lost the all-important Schnizicki account at work and is stomping into the bookstore like Godzilla.
Maybe I’m someone who inspires intense rage in others, but in my almost four years as a bookseller, here’s a partial list of things people have said to me (all one-hundred percent true):
  • You’re an idiot
  • You’re stupid
  • You’re an unhelpful little girl
  • Thanks for ruining Christmas
  • You’re so hateful
  • This is why my kids are getting a college education
  • Where are all the nice, happy booksellers today?
  • Bitch
  • Stupid bitch
  • You’re everything but a whore
Add to this a customer who — furious that his gift-wrapping was not “perfect,” —tore the wrapping paper from his book, crumpled it into a ball, and threw it at my colleague who had wrapped the present.
Rudimentary name-calling and wrapping paper assault aside, bookselling is the most enjoyable of the stressful jobs I’ve had, although the horrors of the holiday shopping season still tremor through my body in nightmares.
MYTH 5: Booksellers Know Everything About Every Book Ever Published Since Gutenberg Invented the Printing Press
Booksellers possess pride in knowing the ins and outs of recently published books. However, if you’re looking for a book and you can’t recall the author, the title, what the book is about, where you heard about the book, or whether it’s fiction or non-fiction, we’re not going to be much help beyond recommending other books you might enjoy.
If a customer tells me she’s looking for a book by a man and there’s a girl in it but she can’t remember the author or the title, I give her Lolita. If she’s looking for “that popular book about the animals”: Animal Farm. “That controversial book my book club is reading”: The Autobiography of Malcolm X. “The book with a red cover and the word ‘the’ in the title”: The Joy of Sex. I’m a bookseller, not a magician. My dark-framed glasses and skinny jeans possess only so much magic.
MYTH 6: Booksellers Are Literature Snobs
Okay, okay: perhaps a tiny nugget of truth glimmers in this myth. After all, plenty of booksellers are armed with bachelor and master’s degrees in English literature and creative writing, so a certain disdain bred of wild jealousy at someone else’s manic success (usually of the John Grisham variety) is to be expected. And while you’re likely to find that one bookseller at every store who claims they only enjoy seventeenth-century Restoration era literature of the French persuasion, you’ll also find booksellers wild about J.K. Rowling, Stephen King and other “commercial” writers. We booksellers see ourselves as gatekeepers of literature for consumption so we’re often shy (or downright snooty) about sharing our guilty pleasures, but don’t let us fool you with our disparaging comments about the masses: our bedside reading table includes Game of Thrones and Infinite Jest.
MYTH 7: Booksellers Have No Other Interests and Only Talk About Books All Day
The most satisfying and intellectually stimulating conversation I’ve ever had on the topics of our “post-race” culture and the deconstruction of meaning behind Orko’s curious garb both occurred while bookselling.  


The remaining three myths and More of Lacey N. Dunham’s Bookseller I’d Like to F*** at Used Furniture.