And two-thirds of American counties had no bookstore at all.
I'm reading a fascinating book called Two-Bit Culture: The Paperbacking of America, published in 1984 by the popular historian Kenneth C. Davis. I picked it up because many of the changes that social media and the Internet are supposed to have wrought on culture are ascribed to the rise of the paperback in this book.There's all this talk in the book about "the Paperback Revolution" that "enabled American writers to find American readers by the millions" among the "Paperback Generation." Mass-market paperbacks, we're told, "made an enormous contribution to our social, cultural, educational, and literary life."
I haven't gotten far enough along in the book to tell you how Davis argues the story, but early in the book, I was absolutely dumbfounded by his description of the publishing business in 1931. He draws on a "landmark survey of publishing practices" carried out by one Orin H. Cheney, a banker, as a service to the National Association of Book Publishers.
Among the normal complaints about book publishers selection processes, we find this staggering stat about the retail business of selling books (emphasis added).
"In the entire country, there were only some four thousand places where a book could be purchased, and most of these were gift shops and stationary stores that carried only a few popular novels," Davis writes. "In reality, there were but five hundred or so legitimate bookstores that warranted regular visits from publishers' salesmen (and in 1931 they were all men). Of these five hundred, most were refined, old-fashioned 'carriage trade' stores catering to an elite clientele in the nation's twelve largest cities."
Furthermore, two-thirds of American counties -- 66 percent! -- had exactly 0 bookstores. It was a relatively tiny business centered in the urban areas of the country. Did some great books come out back then? Of course! But they were aimed only at the tiny percentage of the country that was visible to publishers of the time: sophisticated urban elites. It wasn't that people couldn't read; by 1940, UNESCO estimated that 95 percent of adults in America were literate. No, it's just that the vast majority of adults were not considered to be part of the cultural enterprise of book publishing. People read stuff (the paper, the Bible, comic books), just not what the publishers were putting out.
It's my contention -- and I've made this point in other ways -- that when people look at the sprawling mess of Internet publishing and decide that the quality of writing has declined, they are comparing apples to oranges.
They're taking the most elite offerings that could be imagined, which were based on the tastes of the most educated people in 12 cities, and comparing them to the now-visible reading habits of everyone on the Internet. That's just not a good way to draw smart conclusions about the relationship between technology and culture. Perhaps "the Internet" has made writing worse, but you'd never prove it by comparing F. Scott Fitzgerald to Thought Catalog.
The Atlantic.
Some Ivy League graduates feeling superior, 1939 (New York Public Library).
I haven't gotten far enough along in the book to tell you how Davis argues the story, but early in the book, I was absolutely dumbfounded by his description of the publishing business in 1931. He draws on a "landmark survey of publishing practices" carried out by one Orin H. Cheney, a banker, as a service to the National Association of Book Publishers.
Among the normal complaints about book publishers selection processes, we find this staggering stat about the retail business of selling books (emphasis added).
"In the entire country, there were only some four thousand places where a book could be purchased, and most of these were gift shops and stationary stores that carried only a few popular novels," Davis writes. "In reality, there were but five hundred or so legitimate bookstores that warranted regular visits from publishers' salesmen (and in 1931 they were all men). Of these five hundred, most were refined, old-fashioned 'carriage trade' stores catering to an elite clientele in the nation's twelve largest cities."
Furthermore, two-thirds of American counties -- 66 percent! -- had exactly 0 bookstores. It was a relatively tiny business centered in the urban areas of the country. Did some great books come out back then? Of course! But they were aimed only at the tiny percentage of the country that was visible to publishers of the time: sophisticated urban elites. It wasn't that people couldn't read; by 1940, UNESCO estimated that 95 percent of adults in America were literate. No, it's just that the vast majority of adults were not considered to be part of the cultural enterprise of book publishing. People read stuff (the paper, the Bible, comic books), just not what the publishers were putting out.
It's my contention -- and I've made this point in other ways -- that when people look at the sprawling mess of Internet publishing and decide that the quality of writing has declined, they are comparing apples to oranges.
They're taking the most elite offerings that could be imagined, which were based on the tastes of the most educated people in 12 cities, and comparing them to the now-visible reading habits of everyone on the Internet. That's just not a good way to draw smart conclusions about the relationship between technology and culture. Perhaps "the Internet" has made writing worse, but you'd never prove it by comparing F. Scott Fitzgerald to Thought Catalog.
The Atlantic.
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