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By Sarah Jane Abbott
| Wednesday, July 27, 2016
In recent years, thrillers with unreliable narrators have become
a thriving and best-selling genre, with books like GONE GIRL and THE GIRL ON
THE TRAIN making way for countless others. I love thrillers because they
invite the reader to try to put together a puzzle—to solve a mystery or
figure out where the plot is going before being told. And what could be more
challenging than attempting to do this based on information from a narrator
who may be lying or delusional? READ
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