media release for Bookman
Beattie
The people of Eastbourne
packed out local bookshop Rona Gallery last night to launch Eastbourne : an
anthology published by new Mākaro Press. The
collection of poetry, fiction and creative memoir writing by 96 different
authors was a hit with the Wellington harbourside community with over 200
copies pre-sold or sold on the night – some people buying as much as ten at
once – and people promising to come back for more.
The book was launched by
former Eastbourne mayor Elaine Jakobsson (who writes as poet Helen Jacobs) who
commented on the breadth of the writing and how beautiful the 300-page book is
to have and to hold. Printed on high quality munken paper by Wakefields Digital
in Wellington, the book has a stunning cover image by local artist Stacey
O’Neill, and includes line drawings by local artists.
A dozen writers read from
their work on the night including Elaine Jakobsson with her poem Eastbourne, former
York Bay resident Lloyd Jones and his son Avi Duckor-Jones, as well as Lorae
Parry, John Horrocks, Marilyn Duckworth and Melissa Day Reid. They were joined
by new writers Stephen Press, Donna McLeod and seven-year-olds Lauren Excell
and Tatum Collins. Former adman and poet Len du Chateau’s poem Labour Day, 1925
was read by his daughter Robyn du Chateau. The readers reflected the range of
work in the book.
Three-quarters of the
writers selected for the anthology live or have lived in Eastbourne and the
bays, and the writing is set firmly in the place with chapters given to each of
the bays. Editors Mary McCallum and Anne Manchester spoke of the thrill of
discovering work that had slipped from public view and work that was completely
new, and the pleasure of including writing by well-known authors who had
connections with their community. Along with the third editor,
Maggie Rainey-Smith who is currently teaching in Cambodia, they say they have a
strong feeling of the weight of Eastbourne’s tīpuna at
their shoulders.
Mary McCallum, also the
publisher, says if sales continue as they started, she will have to look at
reprinting before Christmas. She acknowledged the work of her co-editors, her
assistant publisher Paul Stewart, and her mentor Roger Steele of Steele Roberts
who, she says, has been generous in sharing space and skills with her.
‘I am still reeling from
the reception the book has been given by this community. As editors, we worked
on Eastbourne because we love this
place, and those who love it like we do want to own the book for the same
reason. We can’t ask better than that.’ She quotes the final stanza of Helen
Jacobs poem, Eastbourne.
on the days of endless blue
there are three white lighthouses
to choose from, the sea a slow swell,
a fishing boat sitting distant,
and you walk to one lighthouse or
the other over sand, clay, rock,
rhythm your steps to a remote clarity
that you can only paint –
or stare at;
in the stillness of the sun
count seven seals, or the houses
on the other shore, and take home one
fingernail-sized shell to code it all,
this question of where the heart lies.
there are three white lighthouses
to choose from, the sea a slow swell,
a fishing boat sitting distant,
and you walk to one lighthouse or
the other over sand, clay, rock,
rhythm your steps to a remote clarity
that you can only paint –
or stare at;
in the stillness of the sun
count seven seals, or the houses
on the other shore, and take home one
fingernail-sized shell to code it all,
this question of where the heart lies.
Below -Two of the editors of Eastbourne- an anthology, Anne Manchester and Mary McCallum. The third editor, Maggie Rainey-Smith, is currently in Cambodia.
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