The Day of Atonement: A Novel

The Day of Atonement: A Novel David Liss Random House, 2014. 384 pp. US$28.00   Sebastião Raposa is only thirteen when his parents are unjustly imprisoned, never to be seen again, and he is forced to flee Portugal lest he too fall victim to the Inquisition. But ten years in exile only serve to whet his appetite for vengeance. Returning at last to Lisbon, in the guise of English businessman Sebastian Foxx, he is no longer a frightened boy but a dangerous man tormented by violent impulses. Haunted by the specter of all he has lost-including his exquisite first love-Foxx is determined to right old wrongs by punishing an unforgivable enemy with unrelenting fury. The legend of the Golem of Prague has endured through the ages, a creature fashioned by a sixteenth-century rabbi to protect his congregation, now lying dormant in the garret of a synagogue. But the Golem is dormant no longer.   Well schooled by his benefactor, the notorious bounty hunter Benjamin Weaver, in the use of wits, fists, and a variety of weapons, Foxx stalks the ruthless Inquisitor priest Pedro Azinheiro. But in a city ruled by terror and treachery, where money and information can buy power and trump any law, no enemy should be underestimated and no ally can be trusted. Having risked everything, and once again under the watchful eye of the Inquisition, Foxx finds his plans unraveling as he becomes drawn into the struggles of old friends-and new enemies-none of whom, like Lisbon itself, are what they seem.   Compelled to play a game of deception and greed, Sebastian Foxx will find himself befriended, betrayed, tempted by desire, and tormented by personal turmoil. And when a twist of fate turns his carefully laid plans to chaos, he will be forced to choose between surrendering to bloodlust or serving the cause of mercy.

My Grandfather's Gallery: A Family Memoir of Art and War Anne Sinclair; Shaun Whiteside, trans. Farrar, Straus and Giroux, 2014. 240 pp. US$26.00   On September 20, 1940, one of the most famous European art dealers disembarked in New York, one of hundreds of Jewish refugees fleeing Vichy France. Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings-modern masterpieces by Cézanne, Monet, Sisley, and others-were not so fortunate. As he fled, dozens of works were seized by Nazi forces and the art dealer's own legacy was eradicated. More than half a century later, Anne Sinclair uncovered a box filled with letters. "Curious in spite of myself," she writes, "I plunged into these archives, in search of the story of my family. To find out who my mother's father really was . . . a man hailed as a pioneer in the world of modern art, who then became a pariah in his own country during the Second World War. I was overcome with a desire to fit together the pieces of this French story of art and war."   Drawing on her grandfather's intimate correspondence with Picasso, Matisse, Braque, and others, Sinclair takes us on a personal journey through the life of a legendary member of the Parisian art scene in My Grandfather's Gallery. Rosenberg's story is emblematic of millions of Jews, rich and poor, whose lives were indelibly altered by World War II. Sinclair's journey to reclaim her family history paints a picture of modern art on both sides of the Atlantic between the 1920s and 1950s that reframes twentieth-century art history. Jewish Book Council