In today's selection from Delenceyplace -- Pete
Townshend of the rock and roll band The Who grows up under the specter of the
atomic bomb -- one of his defining early memories a fear of the world's end
during the Cuban missile crisis of 1962. This specter, and the shadow in
London of three generations of war, led to the band's aggressive sound and
Townsend's habit of smashing his guitars on stage:
"Usually I'd be feeling like
a loner, even in the middle of the band, but tonight, in June 1964, at The
Who's first show at the Railway Hotel in Harrow, West London, I am
invincible.
"We're playing R&B:
'Smokestack Lightning', 'I'm a Man', 'Road Runner' and other heavy classics.
I scrape the howling Rickenbacker guitar up and down my microphone stand,
then flip the special switch I recently fitted so the guitar sputters and
sprays the front row with bullets of sound. I violently thrust my guitar into
the air -- and feel a terrible shudder as the sound goes from a roar to a
rattling growl; I look up to see my guitar's broken head as I pull it away
from the hole I've punched in the low ceiling.
It is at this moment that I make
a split-second decision -- and in a mad frenzy I thrust the damaged guitar up
into the ceiling over and over again. What had been a clean break becomes a
splinter mess. I hold the guitar up to the crowd triumphantly. I haven't
smashed it: I've sculpted it for them. I throw the shattered guitar
carelessly to the ground, pick up my brand-new Rickenbacker twelve-string and
continue the show....
"I had no idea what the
first smashing of my guitar would lead to, but I had a good idea where it all
came from. ... I was brought up in a period when war still cast shadows,
though in my life the weather changed so rapidly it was impossible to know
what was in store. War had been a real threat or a fact for three generations
of my family. ...
"In 1964 I began playing
guitar the way I was always meant to play it. The sound I had favoured until
then borrowed liberally from American prodigy Steve Cropper's guitar solo on
'Green Onions' -- a cold, deeply menacing, sexual riff. This, I suppose, is
how I imagined myself at eighteen. Now, at the flick of a switch the central
pickup, which I had set close enough to the strings to almost touch them on
my modified Rickenbacker 345S guitar, cut in to boost the signal 100 per
cent. The guitar, with a semi-acoustic body I had 'tuned' by damping the
sound holes with newspaper, began to resonate. ...
"I wasn't trying to play
beautiful music, I was confronting my audience with the awful, visceral sound
of what we all knew was the single absolute of our frail existence -- one
day an aeroplane would carry the bomb that would destroy us all in a flash.
It could happen at any time. The Cuban Crisis less than two years before had
proved that.
On stage I stood on the tips of
my toes, arms outstretched, swooping like a plane. As I raised the stuttering
guitar above my head, I felt I was holding up the bloodied standard of
endless centuries of mindless war. Explosions. Trenches. Bodies. The eerie
screaming of the wind."
Author: Pete Townshend
Title: Who I Am: A Memoir
Publisher: Harper Date: Copyright 2012 by Pete Townshend Pages: 3-4, 61-62 |
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Delanceyplace is a brief daily email with an excerpt or quote we view as interesting or noteworthy, offered with commentary to provide context. There is no theme, except that most excerpts will come from a non-fiction work, mainly works of history, are occasionally controversial, and we hope will have a more universal relevance than simply the subject of the book from which they came. To visit our homepage or sign up for our daily email click here To view previous daily emails click here. To sign up for our daily email click here. |
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