In
a significant publishing event, the makers of The Whale Rider have taken
another powerful story from Witi Ihimaera to the screen.
First
published as a short story in Witi’s collection Ask the Posts, The
Medicine Woman has since been developed not just into a novella, but a
fully-fledged feature film, starring Whirimako Black, Antonia Prebble and
Rachel House. It’s directed by Dana Rotberg, who has had the opening night film
at Cannes three times, as well as a long list of other accolades, including the
NHK Filmmakers Award at Sundance in 2000 and produced by John Barnett and Chris
Hampson. Director of photography is NZ Arts
Foundation Laureate Alun Bollinger.
The
White Lies movie/book tie is just out and the film adaption releases
nationwide 27 June.
The
book includes the original novella, screenplay, along with notes by the author, producer and director, and stills from the film.
Witi tackles moral dilemmas, exploring the
nature of identity, societal attitudes to the roles of women and the tension
between Western and traditional Maori medicine. At the
heart of this compelling story is a Maori medicine woman — a giver of life —
who is asked to hide a secret that may protect a position in society, but could
have fatal consequences. She is the healer and midwife of her rural tribe, but
new laws are in force prohibiting unlicensed healers. When she is approached by
the servant of a wealthy woman, who seeks her assistance, three very different
women become players in a head-on clash of beliefs, deception and ultimate
salvation.
This
book is also about the richness of creativity, illustrating the way a single
story can take on different lives. The original novella, Medicine Woman,
has been rewritten and expanded by Witi Ihimaera to become White Lies and
thus offers an intriguing insight into the process of adapting work, as well as
offering new versions of this potent story.
Right - Witi Ihimaera credit Liz March, (c) Siobhan Harvey

+Siobhan+Harvey.jpg)
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