JANE AUSTEN: THE UNSEEN PORTRAIT
Monday
7 October, 9.45pm
Jane
Austen is one of the most celebrated writers of all time, but with only a
sketch drawn by her sister we have little idea of what she looked like.
Specialist Austen biographer Dr. Paula Byrne thinks that this may be about to
change – she believes that she’s discovered a portrait of the author which has
been lost for nearly two centuries and may offer fascinating new insights into
how Jane once lived and portrayed herself to the world. This historical detective
story follows Paula’s quest to confirm that she really does hold one of the
rarest literary portraits of all time. From eighteenth-century costume
historians to the editor of Jane Austen’s letters, Paula must interrogate as
many specialists as possible to build her case to prove that this really is
Jane. Will the picture stand up to forensic analysis by three of the world’s
most prominent Austen experts? And if it does, how might it change our
perception of one of the world’s greatest writers? Jane Austen: The Unseen
Portrait follows the compelling investigation behind this unique discovery
and offers fascinating new insights into Austen's life and work.
FIRST TUESDAY BOOK CLUB (SEASON 7)
Tuesdays
from 8 October, 8.30pm
Now
in its 7th season, First Tuesday Book Club is Australia’s nationally
televised book club that gathers together booklovers on a monthly basis. Hosted
by Jennifer Byrne, with regular panellists Marieke Hardy and Jason Steger, each
episode is an explosion of robust and passionate discussion covering one new
release book, and one enduring classic.
TWELFTH NIGHT
Monday
14 October, 7.30pm
Filled
with a cast of unforgettable characters, Twelfth Night combines cruelty
with high comedy and the pangs of unrequited love with some of the subtlest
poetry and most exquisite songs Shakespeare ever wrote. Mark Rylance reprises
his widely celebrated performance of Olivia, 10 years after its original
premiere at Middle Temple Hall and the Globe, and Stephen Fry joins as
Malvolio. This wonderful production garnered a host of five star reviews from
critics, including from the Telegraph's theatre critic Charles Spencer, who
called the production "sensational".
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