Publishers Lunch
The quest for a new Penguin Random House
logo and brand identity has led not to one mark, but to 250. Neither the
penguin
nor the house logo won this contest; in fact, both have been left aside in
favor of a single "wordmark" proclaiming "Penguin Random
House" in type only. (The distinctive Penguin orange does live on as
stripes alongside the words, and in some backgrounds.) The "corporate
wordmark" is designed to live in harmony alongside all of the company's
existing 250 imprint and divisional logos and trademarks in a "brand
system" that works for PRH units around the world.
CEO Markus Dohle acknowledges in an
internal video for staff that accompanied the brand launch the enduring
curiosity around how the new mark would look: "When I did the Town Hall in
July [2013], it was the most asked question around the world: 'What is the new
company going to look like?' And behind that question, I think, is, 'What is
the company going to feel like, for us?'"
Perhaps like many other
people seeing the new look for the first time, Dohle admits in the video,
"When I saw the wordmark for the first time, it thought to myself, that's
very subtle. It's humble. It's sort of modest. But is that enough, for all our
constituents? Is it enough for our employees? Is it enough for our authors and
agents?"
He adds, "And the more I thought about
it the more I realized that, it's really fitting because we, as Penguin Random
House, we are the merchants of words." The new system was developed along
with design agency Pentagram, and the firm's Michael Beirut appears alongside Dohle
in the company video.
"We first wanted to create a brand
narrative," Dohle says in the video. "We wanted to define our
company's story" and "we tried to involve as many stakeholders as
possible" in that process. In the official release, Dohle explains:
"Presenting our new Penguin Random House wordmark side by side with each
of our publishing imprint and brand symbols powerfully communicates what makes
our company so special: our collective expertise and global scale coupled with
our local publishing teams giving diverse and important voices a platform and
audience. This fundamental understanding of our heritage and of the company we
are building together for the future informs the design of the brand identity,
and how we will visually represent who we are."
The
company notes that "the imprints and brand symbols also can continue to
stand alone without the brand-system pairing – for example, on the spines of
books." The new identity will have a "gradual rollout" going
forward across the company's units and international divisions. At the Penguin
Random House UK division, the Bookseller writes, the Penguin symbol lives on,
to the left of the words.
And at Shelf Awareness:
Design agency Pentagram helped develop the brand identity, which replaces the interim logo introduced July 1, 2013, when Penguin Group and Random House merged.
Penguin Random House CEO Markus Dohle commented: "Presenting our new Penguin Random House wordmark side by side with each of our publishing imprint and brand symbols powerfully communicates what makes our company so special: our collective expertise and global scale coupled with our local publishing teams giving diverse and important voices a platform and audience. This fundamental understanding of our heritage and of the company we are building together for the future informs the design of the brand identity, and how we will visually represent who we are."
And at The Bookseller
And at Shelf Awareness:
Penguin Random House Introduces New Brand Identity
Penguin Random House has introduced its new brand identity that, as the company said, "underscores the importance of the written word to the company's culture and work" and that will most often be used in a pairing with one of Penguin Random House's 250 publishing divisions, imprints and brands around the world. The brand system, as the pairing design framework is called, is flexible and can be used not just at the publishing level, but also territorially. The company's well-known imprints and brand symbols also can continue to be used alone without the brand-system pairing--for example, on the spines of books. Because the company logo is graphic, it allows the division, imprint and brand logos paired with it, especially the ones that have images in addition to words, to stand out.Design agency Pentagram helped develop the brand identity, which replaces the interim logo introduced July 1, 2013, when Penguin Group and Random House merged.
Penguin Random House CEO Markus Dohle commented: "Presenting our new Penguin Random House wordmark side by side with each of our publishing imprint and brand symbols powerfully communicates what makes our company so special: our collective expertise and global scale coupled with our local publishing teams giving diverse and important voices a platform and audience. This fundamental understanding of our heritage and of the company we are building together for the future informs the design of the brand identity, and how we will visually represent who we are."
And at The Bookseller
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