Thursday, January 16, 2014

Publish and be branded: the new threat to literature's laboratory

Increasingly fixated on the stars of today, such as Hilary Mantel and JK Rowling, publishers are neglecting the experimenters who could save their industry tomorrow: the mid-list writers

Wolf Hall in Stratford
Ben Miles as Thomas Cromwell and Lydia Leonard as Anne Boleyn in Wolf Hall at the Swan Theatre in Stratford-upon-Avon. Photograph: Tristram Kenton

The tickets sold out months ago. Long before the admiring reviews of the stage adaptation of Hilary Mantel's novels Wolf Hall and Bring up the Bodies hit the press at the end of last week, theatre-goers were in no doubt they wanted to see six hours of blazing Tudor intrigue.
A £7m BBC adaptation beckons, with the actor Mark Rylance teaming up with Peter Kosminsky, director of The Government Inspector.

The runaway success of Mantel's story could be seen as a heartwarming tale for the book industry, but it comes at a time when many insiders worry such a tale will become increasingly rare as talented authors find it ever harder break through.
Authors with middling sales – like Mantel, before she led Thomas Cromwell up the bestseller list – are getting less care and attention from large publishers, with readers ever-more fixated on fantasy blockbusters, it is said.

For HarperCollins, the publishing giant behind 4th Estate, the imprint that publishes Mantel, bestselling authors have become more important than ever. Charlie Redmayne, chief executive of HarperCollins, recently described Mantel as one of several writers, along with Michael Morpurgo and JK Rowling, "who have transcended being an author and are brands in their own right".
He added: "In a digital world, they are going to create a huge amount of value."
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