I note that Issue 16 of Interlitq (www.interlitq.org) was published in August 2011, and it is now February 2013.
How do you see the long-term future of Interlitq?
In
the autumn of 2011, Interlitq
encountered a number of challenges which we have been in the process of
addressing. Issue 17 of the review is now projected for publication in March
2013. Meanwhile, Interlitq has been
publishing at www.interlitq.wordpress.com I see a strong future for Interlitq, despite this extended stasis vis
a vis publication. But let us focus on the publication of Issue 17, and then we
can look further ahead.
Do you still have the same vision for
Interlitq as you did at the outset,
when you founded the review in November 2007?
Essentially
yes, the raison-d’etre is the same, but I am keen to include more contributions
in the form of analysis, critical essays and high-level journalism. I am
certainly averse to tub-thumping and opinionated writing.
Mid 2012 Elena Poniatowska, the
Mexican writer, was appointed as Vice-President of Interlitq, alongside Sari Nusseibeh. What was the rationale behind
this decision?
I admire Elena Poniatowska
because she has broken the bounds of her class. A princess, she has chosen in
much of her writing to bear witness to civil upheaval and social injustice in
Mexico, a case in point being her classic work La noche de
Tlatelolco (The Night of Tlatelolco) which chronicles the massacre
that took place in Mexico City on October
2, 1968. As it happens, Poniatowska was already a Consulting
Editor for Interlitq and, with her 80th
birthday fast approaching, I considered it opportune to write to invite her to
be a Vice-President of the review alongside Sari Nusseibeh, the admirable
Palestinian intellectual and conciliator.
Recently you also became the London
correspondent for the Islamabad-based newspaper Daily Halat (www.dailyhalat.com). Can you tell me more.
I
see this as a challenge that I hope I can rise to. Most of my friends in London are Muslim and
spending time with them has dispelled prejudices that I held previously
because, in the end, ignorance breeds misconceptions. In any case, a friend
of mine at Daily Halat put this
proposal to me. I asked, “But what do I know I know about Pakistan?” He
replied, “You can learn as you go along”. I do believe that the fact of having
lived for more than a decade in Argentina, a country to which I will soon
return, stands me in good stead. Of course, I am aware of the significant
cultural differences between Argentina and Pakistan, but I have accumulated
extensive grassroots experience of living in a developing country, and this I
can draw on.
In Issue 17 of Interlitq your essay “A Chorus of Ghosts”, about your friendship
with the controversial Ground Zero videographer Kurt Sonnenfeld, will be
published. Can you elaborate on this.
I
have had no direct contact with Kurt Sonnenfeld for many years, so the piece is
retrospective. It transcends reportage and is, I would say, a multi-layered
meditation on friendship, dislocation and loss. I have been in two minds about whether
to publish it, as it is a personal piece, but on balance I decided to press
ahead. I hope that the various strands of the essay come together, and that the
essence of the friendship is captured successfully.
Footnote:
Naomi Schub, currently based in
Sydney, Australia, is co-founder of Na
Zdravi, Na Schledanou Press. She
has published the poetry collection Before
We Can Give Them Names, and co-authored I Fall Asleep Watching Triumph of the Will, and her poems have appeared in Sun’s Skeleton and So to
Speak.
Peter Robertson, an author and
journalist, is President of Interlitq
and the London correspondent for the Islamabad-based newspaper Daily Halat. He lives in Buenos Aires
and London.
Writers and Guest Artist to be
featured in Issue 17 of Interlitq:
Innokenty
Annensky, Konstantin Nikolaevich Batyushkov, Alex Cigale, Paul Scott Derrick,
S.B. Easwaran, Fiona Farrell, Peter France, Alexandra
Fraser, Felisberto
Hernández, Daniil
Kharms, Mikhail
Lermontov, Marcelo Maturana Montañez, Robin Myers, Hernán Neira, Tanyo Ravicz, Peter Robertson, Gonzalo Rojas,
Alejandro Tarrab, John
Taylor, Elizabeth Welsh, Stephen Wilson and Manolis Xexakis. The Guest Artist will be Susana Wald.
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