12:40
Grant Tilly in Film
John Reed talks about the man who made an impact not only
in theatre, but also in NZ film and television.
12:50
Clown Doctors
Trained actor and doctor Thomas Petschner combined his
skills to form Clown Doctors. It's a programme providing comic relief to
patients in hospital. The programme has been running in Auckland and
Christchurch, and now with the help of The Museum Hotel, it's been made
possible in Wellington. Sonia heads along to the audition.
1:10
At the Movies
Simon Morris looks at the new Aardman stop-motion
animated feature Pirates Band Of Misfits, and the award-winning Israeli film
Footnote. He also admires the latest Shakespearean adaptation -
Coriolanus, directed by its star Ralph Fiennes.
1:30
Listener Pick: Sunset Boulevard
Sunset Boulevard may well be one of the greatest films of
all time. Mark Knowles offers his two cents.
1:35pm
A Second Life: The importance of developing
New Zealand productions beyond their first outing Discussing the issues of
touring, infrastructure, audience and offshore markets are Cath Cardiff from
Creative New Zealand, Hilary Beaton, CEO and Director of Downstage
Theatre; and Mark Westerby, Coordinator for the Performing Arts Market.
2:04
The Laugh Track: Urzila Carlson
Simon Morris finds out what's tickling the comedienne's
funny bone ahead of the NZ Comedy Festival.
2:30
Book Feature
Author and freelance journalist Ann Packer discusses her
crafting memories and shares some top tips from her travels across the country
on the release of her book Crafty Girls Road Trip.
2:40
Mapgie Press
For five hundred years, letterpress printing ruled the
roost. But as newer and faster methods threatened to send it the way of the
dodo, a craft movement sprang up to save this most beautiful form of printing.
Justin Gregory went along to Auckland's Magpie Press to meet printer Shona Gow
and her Heidelberg Windmill Letterpress, called Hildegard.
2:50
Visual Artist John Coley
John Coley emerged from a stimulating bohemian era,
recalling 22 Armagh Street in the 1950s as a place where he and his young
creative cohorts gathered together to write manifestos and challenge the
boundaries of what lay before them. He discusses the significance of this
period on his work, his experience with visual impairment, and why it's
important to connect with an audience, ahead of his exhibition
Nightlights.
3:05
The Drama Hour
The second parts of two productions that illustrate the
range of writing and performance being produced in audio drama.
The Moehau written by Gary Henderson (Part 2 of 2)
Skin Writing: Aroha Mai, Aroha Atu aka Matt and Niwa written by Briar
Grace-Smith (Part 2 of 2)
For more information and images visit the Arts on Sunday
web page: http://www.radionz.co.nz/national/programmes/artsonsunday
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