Oct 29, 2011 The Book Beast
‘Blue Nights,’ about daughter Quintana, is a tragic story that is compelling as a thriller—but it was almost abandoned halfway through. Joan Didion tells Susan Cheever why.
About halfway through writing Blue Nights, her enchanting evocation of the life of her daughter, Quintana, Joan Didion stopped cold. The book was a portrait of Quintana from her birth and adoption in 1966 to her 2005 death following a massive brain hematoma in New York Hospital. But there were parts of Quintana’s story that Didion did not want to tell.
“I thought, ‘I’m not going to finish this, I don’t have to finish this book,’” she tells me as we sit in her Upper East Side living room one afternoon drinking tea from flowered cups. The room is deliciously crowded with books, photographs, and mementos—things Didion once treasured for the memories they evoked. “In theory these mementos serve to bring back the moment,” she writes in the book. “In fact they only serve to make clear how inadequately I appreciated the moment when it was here.”
Didion decided to return her advance to Alfred A. Knopf and abandon the book, which is titled after the long blue twilights of spring. “I thought, ‘I can just give the money back,’” she explains. Her agent and friend Lynn Nesbit suggested that she finish the book first and then talk about whether to publish it. Other friends urged her on. Didion tells me she finally looked at her book contract and saw how much she would have to return. “I could have bought an apartment with it,” she says. So she went back to writing the book.


Full story including video clip at The Daily Beast
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