How E-Books Will Change Reading And Writing
by Lynn Neary for NPR

Ten years ago, few imagined that by decade's end, people would be reading novels on cell phones. A lot has changed in the book world.

"Over the last couple of years, I've really noticed if I sit down with a book, after a few paragraphs, I'll say, 'You know, where's the links? Where's the e-mail? Where's all the stuff going on?' " says writer Nicholas Carr. "And it's kind of sad."

Carr says he's thought of himself as a serious reader all his life, but in an article in The Atlantic, he argued that the Internet is training us to read in a distracted and disjointed way. But does that mean writers will have to change the way they write to capture the attention of an audience accustomed to this new way of reading? Carr thinks the answer is yes, and he looks to the past to make his point.

"When printed books first became popular, thanks to Gutenberg's press, you saw this great expansion of eloquence and experimentation," says Carr. "All of which came out of the fact that here was a technology that encouraged people to read deeply, with great concentration and focus. And as we move to the new technology of the screen ... it has a very different effect, an almost opposite effect, and you will see a retreat from the sophistication and eloquence that characterized the printed page."

As digital platforms proliferate, writers are trying to figure out how to use them. Novelist Rick Moody recently wrote a story on the social networking site Twitter. Moody says he got intrigued by the idea of writing in abbreviated form to fit within the 140-character limitations of each Twitter post.

"I began to see that trying to write within this tiny little frame, 140 characters, was kind of like trying to write haiku. It's very poetical in its compaction, and it kind of got under my skin, and I kept thinking, 'Wouldn't it be fun to try and work with this?' " Moody says.

His flirtation with Twitter was not entirely successful. The delivery of the story went awry, and some industry insiders were bombarded with repetitive tweets. Still, Moody doesn't regret the experiment. But he does have doubts about Twitter's literary potential.

"It forced me to try to imply more narrative than I could actually include in the piece, because I was so stuck in this little box. It's hard to have dialogue between characters in the confines of the Twitter box," Moody says. "That was all fun. Whether I think Twitter is going to be a great vehicle for fiction, I'd say no."

A lot of writers are trying their hand at Twitter books — both on the Web and in print — but Time magazine book reviewer Lev Grossman thinks it's a passing fad. Asked what might have some staying power, Grossman suggests the cell phone novel. Written on cell phones and meant to be read on them, many of these books are best-sellers in Japan. The authors are usually young women, and romance is the main theme.
Read or listen to Lynn's full piece at NPR