artsjournal:
“When it came to selling copy, Hemingway was one of America’s most versatile leading men, and certainly one of the country’s most fascinating entertainers. By then, everyone had long forgotten one of his earliest roles: unpublished nobody. It was one of the few Hemingway personas that never really suited him. In fact, in the early 1920s – strapped for cash, ravenous for recognition – he was frantic to rid himself of it.”
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