It's the end of Shakespeare's birthday week, but the playwright has provided year-round inspiration for writers from Herman Melville to Patricia Highsmith
Shakespeare famously customised existing plots when writing his plays, and added to them an acute perception of human experience which gave them universal significance. Thwarted love, ambition, greed, jealousy, fear – if you want to write a story about a fundamental predicament, there is a Shakespeare play to fit the bill. So it's not surprising that he has inspired so many writers, from Herman Melville to Angela Carter.
He dealt in archetypes before anyone knew such things existed, and his ability to take an emotion or a situation and push it to the limit helped create a cadre of plays that have been endlessly staged – and copied. Apart from the examples below, Romeo and Juliet inspired Malorie Blackman's Noughts & Crosses, there are references to Hamlet in Lunar Park by Bret Easton Ellis and The Tempest was the cue for The Magus by John Fowles.
But Macbeth is my favourite – a preference I apparently share with Jo Nesbo, who recently announced that his new noir crime novel would be based on the Scottish play. Its sinister magic is also the inspiration behind my historical novel Dark Aemilia.
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He dealt in archetypes before anyone knew such things existed, and his ability to take an emotion or a situation and push it to the limit helped create a cadre of plays that have been endlessly staged – and copied. Apart from the examples below, Romeo and Juliet inspired Malorie Blackman's Noughts & Crosses, there are references to Hamlet in Lunar Park by Bret Easton Ellis and The Tempest was the cue for The Magus by John Fowles.
But Macbeth is my favourite – a preference I apparently share with Jo Nesbo, who recently announced that his new noir crime novel would be based on the Scottish play. Its sinister magic is also the inspiration behind my historical novel Dark Aemilia.
More
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