The mystical
traditions of two cultures collide in US author Helene Wecker’s atmospheric
debut novel The Golem And The Djinni
(HarperCollins). Set among the immigrant communities of New York in 1899, this
is a love story of sorts, but also a battle of good versus evil that blends the
fantastical with the real to great effect.
In Jewish folklore
a Golem is a creature crafted from clay and brought to life to serve its master
unquestioningly. The Golem of this story is an attractive woman created by an
unscrupulous, magical genius to serve as a wife for a Prussian Jew who is
immigrating to New York. But when her master dies on the journey the Golem is
left without a purpose.
Wandering alone in
New York she is recognised for what she is by a wise old rabbi who takes her in
and helps her learn how to behave like a human so she can live among the Jewish
community.
At the same time
in the Little Syria neighbourhood of Lower Manhattan a tinsmith called Arbeely
is repairing the dents in an old copper flask. As he touches it with his
soldering iron he releases the Djinni trapped inside by a wizard centuries ago.
For a while the
Golem and the Djinni lead separate lives, struggling to make their way in this
strange new place. She takes the name Chava and goes to work at a bakery, he
calls himself Ahmad and learns to be a tinsmith. Everyday life is tedious
beyond belief for both of them. Needing neither to sleep nor eat, to fill the
long hours without giving themselves away is a grim challenge.
The Djinni, while
pining for his glass palace in the desert, at least can spend his nights
exploring New York but the Golem, being a woman, is trapped indoors after dark
and occupies her time unpicking and sewing up the same garment over and over
again.
At long last they
meet and, recognising each other’s true nature, the pair become uneasy
companions, then soulmates until finally discovering the shattering way their
fates are linked.
This is an epic
novel – possibly too epic. While I get that Wecker has to convey how dull and
repetitive human life is for her folkloric creatures, she might have done so in
fewer words. To me the book feels about
50 pages overlong.
Despite that it is
an enjoyable read: original, unusual, sensitively written. Wecker succeeds in
bringing together Jewish and Arab myth and immigrant history, as well as
bringing to life New York at the turn of the 20th century. But her
greatest triumph is the way she weaves in real human characters – Saleh the
tragic ice cream seller, kindly coffee house owner Maryam Faddoul, spirited
socialite Sophia Winston – so somehow making it seem as if magic might really
be out there hovering at the edges of our lives just a little out of sight.
About the reviewer.
Nicky Pellegrino, an Auckland-based author of popular fiction, is also the Books Editor of the Herald on Sunday where the above review was first published on Sunday 21 April 2013.
Nicky Pellegrino, an Auckland-based author of popular fiction, is also the Books Editor of the Herald on Sunday where the above review was first published on Sunday 21 April 2013.
Her latest novel When In Rome is set in 1950's Italy and was published in September 2012. Her next novel, The Food Of Love Cooking School, will be published later this year
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