In
May of this year, Wellington writer Dan Rabarts posted an internet link about
some of the creepy things kids say, suggesting to his writer friends that those
sayings would make great story fodder. One writer took him up on it, then
another, and another. A crowd funding campaign followed, a publisher appeared, and
the result is Baby Teeth (Paper Road
Press), a collection of bite-sized horror stories, out just in time for
Halloween. I talked with Dan and his co-editor Lee Murray.
BB: Were you surprised at the
response from the writing community?
Dan: I was
more than surprised; I was blown away.
From a random suggestion that maybe we write some stories, we suddenly had a
wave of support not only from both new and established writers submitting work
but also proof readers offering their services, publishers offering contract
and business advice, artists creating work for us to use in our promotions, and
even a professional audio production house wanting to do an audiobook of the
anthology, at no cost to us. The enthusiasm and the momentum were infectious. Before
we really knew what was going on, our simple writing exercise had taken on a
life of its own, with a pile of great stories, cover art, and, above all, a
plan to do something with all of this energy for good. What better way to make
the most of all that excitement and generosity than to turn it into a fundraiser
for a worthy charity? And then to have it picked up by Wellington’s newest
independent publisher, Paper Road Press headed by award-winning editor Marie
Hodgkinson. Well, that was just the icing on the cake.
Lee: If
we’re talking about the response from the writing community, I think it took
someone like Dan to pull it all together. He has this endearingly helpless quality
that makes people want to put their hands up. It’s a great ploy because we all
fell for it. One of our contributors even offered up her own precious baby
teeth for the cover art ‒ not what you usually expect
when calling for anthology submissions!
BB: Proceeds from Baby Teeth will support the Duffy Books in
Homes Charity, and yet the book introduction cautions that these stories aren’t
for children?
Dan: That’s
right, Graham. Kids occasionally come out and say some creepy things, and Baby Teeth taps into those reflections.
Context is always a factor of course, but our writers have taken these little
fragments and spun them out into tales of humour, wonder and terror. Some of the
stories are powerful, disturbing and gut-wrenching. They look into those things
that lurk in the dark, in the minds of small children, or of the unwell,
perhaps. They make the reader ask questions, and evoke a sense of raw unease
which leave you asking: What was real? What was not? Sometimes, I think, fiction
like this can make us wonder about the real world, maybe help us see some sort
of nightmarish reason in the things that happen which defy explanation, things
we can’t personally stomach or even fathom another human being doing. Horror
goes there. It forces us to look at the world, and sometimes we don’t like what
we see. So in answer to your question, no: these stories are not for children.
We don’t want to give them nightmares. Just our regular readers. [laughs]
Lee: I
agree with Dan. If you like a good fright, then these stories make perfect
reading for Halloween ‒ just don’t read them to your
kids.
Dan: But
the focus remains on the why of the
project - on writers banding together to raise money for a cause, with the
intent that kids will keep wanting to read books for years to come. Because
writers need readers, and it’s hard to imagine being a kid and not growing up
with books to read.
BB: Do you think the group
will be mobilised to write another similar book?
Lee: Perhaps
not exactly like this, but many of the Baby
Teeth contributors are now working together on other projects, so yes, in
time I think we’ll see some new work coming out as a result of the
collaboration initiated here.
Dan: This has been a totally spontaneous and
unprecedented project, and I think we’re truly fortunate to have so many
fantastic and giving writers and creative people in New Zealand to have made it
possible, not to mention the many writers groups like SpecFicNZ and Tauranga
Writers who have helped pull it all together and spread the word. It’s been a
huge undertaking though, and despite how rewarding it has been I think I’ll be
careful what I post on Facebook in future! But while there are no immediate
plans to try and pull something like this off again, I’ve already heard rumours
that some other writing groups might be considering a similar approach.Paperback, e-book, audio book - RRP $25.00
Publisher - Paper Road Press - marie@paperroadpress.co.nz
Featuring the work of:
|
|
Alan Lindsay
|
Jenni
Sands
|
Alicia Ponder
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Kevin G. Maclean
|
Anna
Caro
|
Lee Murray
|
Celine Murray
|
Lewis Morgan
|
Dan Rabarts
|
M. Darusha
|
Darian Smith
|
Wehm
|
Debbie Cowens
|
Matt
Cowens
|
Eileen Mueller
|
Matthew
|
Elizabeth Gatens
|
Sanborn Smith
|
Grant
Stone
|
Michael J Parry
|
Jack Newhouse
|
Morgan Davie
|
Jake Bible
|
Paul
Mannering
|
Jan
Goldie
|
Piper
Mejia
|
JC Hart
Jean
Gilbert
|
Sally McLennan
|
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