The Orange Prize is a sexist con-trick
By Tim Lott writing in The Daily Telegraph yesterday
Here is a selection of groups that have been consistently under-represented among the winners of the UK's two major book prizes, the Booker and the Costa/Whitbread: the white working class (0); West Indians (1); black Africans (0); disabled writers (0).
By Tim Lott writing in The Daily Telegraph yesterday
Here is a selection of groups that have been consistently under-represented among the winners of the UK's two major book prizes, the Booker and the Costa/Whitbread: the white working class (0); West Indians (1); black Africans (0); disabled writers (0).
No one has funded a prize for these groups. However the Orange Prize was set up in 1996 to give women their own prize - because of perceived under-representation in the Booker. Despite 12 years of consciousness-raising by the Orange, the Booker still doesn't give women their just mathematical due - a 3:10 ratio remains. But given that women have won five out of the last six Whitbread/Costas, does the level of injustice remain enough to justify the Orange?
Women are predominant, in terms of numbers and power, in most of the major publishing houses and agencies. They sell most of the books, into a market that largely comprises women readers. They are favoured by what is overwhelmingly the most important publishing prize (the Richard and Judy list), and comprise most of the reading groups that drive sales. Girls in schools are more literate than boys, and pupils are taught reading mainly by female teachers promoting mainly female writers.
Women are predominant, in terms of numbers and power, in most of the major publishing houses and agencies. They sell most of the books, into a market that largely comprises women readers. They are favoured by what is overwhelmingly the most important publishing prize (the Richard and Judy list), and comprise most of the reading groups that drive sales. Girls in schools are more literate than boys, and pupils are taught reading mainly by female teachers promoting mainly female writers.
Orange spokespeople wriggle around this issue - of special treatment for a dominant group - saying that the prize isn't really "about" women, but about being international and about its roll-out programmes for literacy and education. Ignoring the fatuousness of the idea that a women-only prize makes no statement about gender, let's assume that the case for the continuing unfair critical exclusion of women can be made. Would a woman-only prize then be justified?
Well, could the establishment of a men-only prize be justified, with men-only judges (as with the Orange single-sex panels), given their level of relative exclusion in schools and the marketplace? Can you imagine the derision with which it would rightly be met?
Orange Prize organisers, who publish this year's longlist on Tuesday, might point out that, given centuries of women's oppression etc, etc, our turn now etc, etc. This is the "yah boo" justification. But the historical truth is that if the playing field was slanted against women in literature it was far less so than in any other art form, as any comparison between historical female novelists and, say, female painters or composers would prove. And also, the past is gone. Get over it.
All the same, why is the existence of the Orange any skin off my nose? For the same reason it was skin off female noses to be short-changed on the Booker. It's simply unfair. You might argue that a "whites only" prize wouldn't do any harm - but such a prize would also be unjust and offensive. You would again be advantaging the dominant group. It's rather like having an affirmative action scheme for Oxbridge graduates at the BBC.
All the same, why is the existence of the Orange any skin off my nose? For the same reason it was skin off female noses to be short-changed on the Booker. It's simply unfair. You might argue that a "whites only" prize wouldn't do any harm - but such a prize would also be unjust and offensive. You would again be advantaging the dominant group. It's rather like having an affirmative action scheme for Oxbridge graduates at the BBC.
The final defence for the prize, which is actually an offence, is that anyone who expresses such sentiments is a Bitter Unhappy Misogynist (BUM). That's doesn't wash in my case. I have no cause for or feeling of bitterness, since I am among the tiny minority of novelists who make a good living out of fiction, and have won several important prizes, along with being shortlisted for very many others. I was first signed by a woman, my editor for most of my career was a woman, and my agent is a woman. My four daughters are female and so is my wife, not to mention exactly half my friends (I enforce a quota system, naturally). I don't dislike women. I just dislike the Orange.
The most honest defence of the Orange could be best summed up by a "conversation" I had with a female novelist. She simply hit me on the head every time I mentioned the subject. The tactic achieved its ends - I shut up.
A similar thing happened the day I filed this piece, chatting to a woman whom I vaguely knew and had always seemed nice. I mentioned the article. She announced with great vigour that it was completely fair that there should be a women-only prize and not a men-only prize.
This was because of the rough deal women got in wider society. I suggested that whatever their status in society, they did pretty well in the book world. She responded, blithely, that I was just a BUM. I felt subdued - being hit on the head and abused verbally is not really what I think of as mature debate.
Such arguments do not make the best case for the fairness of a prize that looks at best like an anachronism, and which at worst rigs the market. If you take off the distorted spectacles of contemporary social conditioning, the Orange Prize is sexist and discriminatory, and it should be shunned - or, at the very least, mocked mercilessly.
Then maybe its pretensions of acting towards the common good of literature will be exposed as the self-interested actions of the powerful dressed up as public virtue - a trick that men played on women for thousands of years, until their bluff was finally and rightly called.
Needless to say this piece has generated a lot of feedback and you can go to the Telegraph site and read the responsese here.........
5 comments:
Doesn't look like a furore to me. Looks like lots of men agreeing with him!
(Apologies for my book cover coming up every time I post. I don't know how to turn that off! Looks like shameless advertising, I know)
You are quite right Rachael so I have taken out furore and put in feedback.
And there is no need to apologise about the cover of your book. It's gorgeous and adds colour and class to the blog.
hiya,
Two cents from a rank outsider... Your points about the other groups who are under-recognised are relevant. The problem of class and ethnic exclusion in gender equity debate has been with us as long as the conversation itself has been.
It seems likely that the Orange and similar initiatives need to revisit their mandate regularly and check their ethical standards for those same issues. If Orange is thinking globally about inequity their mandate and mission statement should reflect that in clear practical terms.
By the same token, returning to a more general discussion about whether oversimple categories created and applied by affirmative action are useful or beneficial is probably overdue.
On the other hand, is it the business of the dominant group to decide when affirmative action is no longer needed or failing its task? Women writers need to have this conversation amongst themselves. IMHO.
Or is it your main assertion that women writers are the dominant group in Literature? What is the evidence that male writers are marginalised?
Thanks for thought provoking post.
sincere apologies: for misreading the authorship of the posted article!!
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