The University of Otago’s coveted Arts Fellowships for 2018 have been announced.
Otago's Pro-Vice-Chancellor Humanities, Professor Tony Ballantyne has named the five Fellowship recipients.
The Frances Hodgkins Fellow is Louise Menzies from Auckland, the Robert Burns Fellow is Rhian Gallagher from Dunedin, the Mozart Fellow is Dylan Lardelli from Auckland, the Caroline Plummer Fellow in Community Dance is Matthew Smith from Auckland, and the Creative NZ University of Otago College of Education Children’s Writer in Residence is Raymond Huber from Dunedin.
Professor Ballantyne is delighted with the outstanding calibre of this group of fellows who will take up their fellowships in 2018.
“These Fellows are working at the forefront of their respective creative fields; they have each been selected from a very strong group of applicants,” Professor Ballantyne says.
“Our Arts Fellowships are very important to the University because they are vital to our links with the arts community. Through their work and presence on campus they enable new conversations around the ways in which these creative disciplines illuminate the world that we live in.
“It is always exciting to look forward to the coming year and the music, words, images and performances that these Fellows create.”
The Fellows receive a stipend for between six months and one year, and space on campus to indulge in their creative projects. Past Fellows have created dance performances, orchestral compositions, poetry, novels and children’s books during this time.
The fellowships have produced many luminaries over the years, including writers Janet Frame, Keri Hulme, James K Baxter, Michael King and Maurice Shadbolt, artists Ralph Hotere and Grahame Sydney, and many of New Zealand's leading composers, dancers and children’s book writers.
Frances Hodgkins Fellow 2018 – Louise Menzies
Louise Menzies is an Auckland-based artist. She has already
established an outstanding body of work, including an impressive 15 solo exhibitions with showings in North America,
Australia and Lithuania; contributions to group exhibitions in Los Angeles,
Montreal, Paris, Rotterdam and Sydney; 12 art publication projects; and four
significant residencies, three in international settings.
Her practice embraces a range of media, including text, performance,
moving image, photography, ceramics and print media, usually presented within
installed environments. She draws particularly on research into the ways female
experience has (or has not) been recorded – something she hopes to continue, by
exploring histories of local artists including Joanna Paul and Frances
Hodgkins, as a starting point.
“As
an artist you are always running a time deficit. Many more ideas enter the
studio than there is the time and space to make them. The fellowship is a true
gift in this sense, and the chance it offers to work in an extended way on
one’s own artistic production is an immensely valuable opportunity.”
“I
have much excitement about the year ahead, and discovering the many local
resources I anticipate responding to throughout my various projects. It’s a
huge honour to have been given the Fellowship, and I can’t wait to get
started.”
Robert Burns Fellow 2018 - Rhian Gallagher
Rhian Gallagher’s work is a moving blend of unique
perspectives and poetic craft that creates subtly haunting effects.
Her first book of poems Salt Water Creek, published
in London, was shortlisted for the 2003 Forward Prize for First
Collection. In New Zealand, she won a Canterbury History Foundation Award
in 2007, and wrote Feeling for Daylight: The Photographs of Jack Adamson,
a non-fiction biography published by the South Canterbury Museum. She won
the New Zealand Post Book Award for Poetry in 2012 for her second poetry collection,
Shift.
In 2016, Gallagher collaborated with artist Lynn
Taylor and Otakou Press printer-in-residence Sarah Smith to publish poems on
the life and activities of Freda Du Faur (1882–1935), the first woman to climb
Aoraki/Mount Cook.
She
described the Burns Fellowship as an expansive, generous opportunity and a real
honour. “In terms of creative space it is like moving from the backyard to a
wide open plateau. Anything could happen! The Fellowship is also an
opportunity for conversation and exchange within the humanities and, in this,
it exudes possibility. It doesn’t involve a relocation for me but it is a
completely new mindset.”
She
will primarily be writing poetry. “One aspect of the work is focussed on the
early history of the Seacliff Asylum in relation to Irish migrants. I’m looking
to develop a series of letter poems.”
Mozart Fellow 2018 - Dylan Lardelli
Dylan Lardelli is
considered one of the leading representatives of innovative new composers of
his generation.
He has been composer in residence with the Auckland Philharmonia
Orchestra, and artist in residence in Tokyo. His compositions have been
programmed in leading festivals and concert series in New Zealand, Australia,
Europe, the United Kingdom, the USA, and Asia. His works have been performed by
such noted ensembles as the New Zealand Symphony Orchestra, the Ensemble
Vortex, the NZTrio, and by members of the Ensemble Modern and Musikfabrik.
He has won the Asian Composers League Young Composers Competition in
Tokyo, the Edwin Carr Scholarship, and the APRA AMCOS Art Music Fund Award
(2017). As guitarist, Dylan Lardelli has performed with the NZ Symphony
Orchestra, the Stroma Contemporary Music Ensemble and the 175 East New Music
Ensemble.
He is thrilled by his appointment, and looking forward to getting to know
Dunedin and all it can offer. “I'm really looking forward to getting to know
the Otago music department, and a wide range of musicians and music groups in
the region.”
Caroline Plummer Fellow in Community Dance - Matthew Smith
Matthew
Smith is from Auckland. He has a BAppSc (Human Biology) from Unitec, and is
currently completing a Masters of Osteopathy. His 17-year career as a
performer, teacher and dance-maker has taken him to more than 50 countries
worldwide. Work he has choreographed has been performed in Oslo, Zagreb,
Amsterdam and Vienna.
His
fellowship project aims to use dance to enhance health and wellbeing at any
age. He has already developed a community dance class for older men to help
them gain confidence in coordination and balance. He plans to expand this to
different age groups and to develop an educational/community resource which
could be used worldwide via on-line platforms and DVD.
He
is excited to research, develop and impliment a number of different community
programmes in his home town of Dunedin.
“I
will be creating a movement/partnering class for fathers and their
babies. I will also be developing further a programme I began in Auckland
called “More men moving more” which was in cooperation with Mens Health Trust.
This was a class for elderly men focusing on important movement skills such as
balance and refining coordination associated with mobility.”
“My
dance career began in Dunedin and I am very happy to return. I look
forward to giving back to my community by sharing something of what I have
learned in my years away and abroad.”
University of Otago College of Education/Creative New
Zealand Children’s Writer in Residence - Raymond Huber
Raymond Huber is an author and freelance editor, with a wealth of
experience as a teacher, editor, and a writer of fiction and non-fiction. He
has received numerous awards and shortlisting in prestigious Children’s Book
Awards, nationally and internationally. He has a story in the Te Papa
children’s book Curioseum (2014) and won the McGonagall poetry prize
winner in 2005.
At
the core of his productivity is Raymond’s ability to merge a love of children’s
literature with science. His children's
novels, Sting and Wings, are science-based fantasy; his
picture books, Flight of the Honey Bee and Gecko , are published
internationally; and Peace Warriors, is a YA book about non-violent
resistance. Raymond has also written many educational workbooks, school readers
and radio plays.
Raymond lives with author/publisher Penelope Todd on
the Otago Peninsula; they have three children and two grandsons.
“I'm
very grateful for this Fellowship – what a privilege to be able to devote six
months to imagination and writing in a place where people value reading and
literature. I’ll be working on a children's book about trees; celebrating the
science of trees and telling the stories of people who loved trees.”
About the Fellowships
Many years ago Charles Brasch, the initiator of the Robert Burns
Fellowship, wrote, "Part of a university's proper business is to act as
nurse to the arts, or, more exactly, to the imagination as it expresses itself
in the arts and sciences. Imagination may flourish anywhere. But it should
flourish as a matter of course in the university, for it is only through
imaginative thinking that society grows, materially and intellectually.'
(Landfall, March 1959).
The Robert Burns Fellowship is New
Zealand's premier literary residency. The Fellowship was established in 1958 to
commemorate the bicentenary of the birth of Robert Burns, and it is designed to
encourage imaginative New Zealand literature and to bring writers to the
University. Past fellows include Janet Frame, Roger Hall, Keri Hulme, James K.
Baxter, Maurice Shadbolt, Michael King, Ian Cross, Owen Marshall, Ruth Dallas,
James Norcliffe, David Eggleton, Sarah Quigley and Sue Wootton.
The Frances Hodgkins Fellowship, named after
one of New Zealand's most distinguished artists, was established in 1962 to aid
and encourage painters, sculptors and other artists and to foster an interest
in the arts in the University. Past winners include Ralph Hotere, Grahame
Sydney, Marilynn Webb, Fiona Pardington, Shane Cotton and Heather Straka.
The Mozart Fellowship was
established by the University of Otago in 1969. The purpose of the Fellowship
is to aid and encourage composers and performers of music in the practice and
advancement of their art, to associate them with the life of the University and
to foster an interest in contemporary music. Mozart Fellows often produce a
concert of their works during their Fellowship year. Successful applicants
include many of New Zealand's significant composers, such as John Rimmer,
Anthony Ritchie, Gillian Whitehead and Christopher Watson.
The Caroline Plummer Fellowship in Community Dance was established in 2003 and honours Caroline Plummer (1978-2003).
Caroline completed a Bachelor of Arts in Anthropology and a Diploma for
Graduates in Dance, and was awarded the University of Otago Prestige
Scholarship in Arts. The Fellowship acknowledges Caroline's passion for dance
and her vision for community dance in New Zealand. It was made possible by a
Memorial Trust set up by Caroline's parents.
The University of Otago College of Education/Creative New Zealand
Children's Writer in Residence is the only
residency for a children’s writer in New Zealand. Begun by the Dunedin College
of Education in 1992, it allows writers to work full-time in a compatible
environment among colleagues who are concerned with the teaching of reading and
literature to children. It is jointly funded by the University and Creative New
Zealand. The residency is offered in association with the Robert Lord Writers’
Cottage Trust, which provides rent-free accommodation to writers in the
historic Titan Street cottage bequeathed by the late playwright Robert Lord.
Residents include Central Otago children’s book writer Kyle Mewburn, and
Dunedin writers Karen Trebilcock and Bill O’Brien.
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