Have editors become marketing and product managers who have too little time for the text?
This by former bookseller and editor, Stuart Evers, he is now a writer, Guardian blogger and reviewer. He lives in London.
This week, after a decade of snappy reporting on the curious world of the book industry, Joel Rickett steps down as deputy editor of the Bookseller. But in a strange and unusual move, Rickett isn't moving to Broadcast or Media Week - the usual destinations for journalists on such publications - but to a high-profile literary imprint in a specially created editorial director's role.
On the one hand, there is much to be applauded in Viking's decision to give Rickett a chance. He's smart, erudite, knows more about the trade than just about anyone and has the right kind of temperament to thrive in such a role. On the other, it rather sums up a seismic shift in what it actually means to be an editor. These days, experience of shaping, honing and bringing out the best in an author is unnecessary to land a high profile role: all you need to be able to do is identify the product.
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