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The colouring book boom and continued strength in UK education
publishing was not enough to compensate for tough export markets in 2015,
notably in the US, according to statistics collated by the Publishers
Association. The invoiced value of UK publishers’ sales of books for export
fell 3% year on year in total, to £1.4bn (£1.5bn in 2014), a steeper dip
than last year’s decline of 1%.
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The Guardian First Book Award is to close after 17 years due
to a crowded "awards landscape" and the financial constraints of
running the prize.
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Harlequin is to create a new imprint, bringing all its trade
publishing imprints into one place.
The new imprint will be called HQ. All of Harlequin’s current
trade imprints, including adult fiction imprint Mira and YA imprint INK,
will be replaced by HQ.
Mills & Boon, which is part of Harlequin, will not be
affected.
The imprint, which carries the tagline “One Place. Many
Stories”, hints at Harlequin’s aims to become the headquarters for a series
of genres, including crime, book club and YA.
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The European Commission has committed to reducing VAT rates on
e-books, in an Action Plan announced today; The Bookseller understands later detailed
proposals will allow states to reduce VAT on e-books to as low as 5%.
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The All Party Parliamentary Group on Publishing has
launched an investigation into 'UK Publishing in a Modern Digital
Age', with the aim of ensuring the industry is "properly
developed and supported" by UK government.
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HarperCollins has bought world rights to The Good Mothers: The True Story
of the Women Who Took on the Mafia by award-winning journalist
and writer Alex Perry.
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Harriet Bourton, editorial director at
Transworld, is joining Orion Fiction as publishing director.
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Trapeze's commissioning editor Sam Eades has pre-empted a
debut writer's killer crime series for a six-figure sum within 48
hours of receiving the manuscript.
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Lisa Baker, currently rights director at Faber and Faber, will
be joining Aitken Alexander Associates as director of translation
rights in August 2016.
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