After six years of writing a weekly Observer column – now anthologised in a new book – David Mitchell answers our questions about finding ideas, talking shop with his wife and saying farewell to Peep Show
In your new book, you say you started writing regularly for the Observer – in late 2008 – at the dawn of a new era. What has defined it?
It was when the credit crunch suddenly became frightening. People had talked about it for months before and there was a vague sense we were going into an economic downturn, but that autumn – and it was totally coincidental – was when everything seemed potentially apocalyptic. Reading through a lot of the things I ended up writing about in the aftermath, other than the thing itself, it really changed our national mood. It finished off nearly 20 years of general optimism: a feeling that maybe everything genuinely is properly better now.
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It was when the credit crunch suddenly became frightening. People had talked about it for months before and there was a vague sense we were going into an economic downturn, but that autumn – and it was totally coincidental – was when everything seemed potentially apocalyptic. Reading through a lot of the things I ended up writing about in the aftermath, other than the thing itself, it really changed our national mood. It finished off nearly 20 years of general optimism: a feeling that maybe everything genuinely is properly better now.
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