'The English Girl'
by Margaret Leroy
Published by Sphere 2013 - RRP $37.99
Review by Maggie Rainy-Smith
This is the first book I've read by Margaret Leroy, and so I
went to her website and found she has thirteen previous novels to her name, the
first written in 1999. On the attractive cover of the book is a quote from Fay Weldon, who says 'What a storyteller Leroy is'. I agree. This
is a very well crafted story and it felt like a movie as it unfolded - with all
the elements for the big screen, with the clever mix of romantic love, innocence,
intrigue, almost espionage, music and the shadow of war, to the moment we now
know in history, as anschluss.
The
writing is very good and I knew I was in the hands of an author who understood
her craft. Even when I second-guessed
elements of the plot - for this is a plot driven story - I didn't mind, I
enjoyed the 'setting up' and knowing what was happening, although I didn't
always guess correctly.
Stella
Whittaker is a young English pianist whose musical talent is recognised by a Dr
Zaslavsky while visiting England. He offers her a place at the Vienna Academy
of Music and the Performing Arts. Her mother is widowed and they're not very
well off, so at first it's uncertain she can go, but accommodation is found
with Rainer and Marthe Krause, old friends of her mother - 'some people I knew long ago. They live in
Vienna'.
The
novel is framed by two important train journeys; Stella's journey towards
Vienna and her journey away from Vienna. She begins what she believes is her
real life on 8 September 1937, which is the date she arrives in Vienna. Stella
is the epitome of beauty and innocence and blessed with musical talent. She
falls in love with a Jewish Doctor, unaware of the political undertones in the
very household where she is living and oblivious to or wishing to ignore her
mother's concerns 'about the international situation: Germany re-arming; the
terrible civil war in Spain.'
Through
Stella's initially innocent eyes, the
reader experiences the elegant beauty of pre-war Vienna. As the novel progresses, eventually, Stella has two lives. The one she lives with Rainer and Marthe and
her inappropriate and somewhat illicit romance with Harri the Jewish Doctor. Harri
is studying Freud and Stella in awe of Harri begins trying to read and understand
Freud. I wasn't so sure this thread was necessary, but it adds a dimension to
their courtship and romance and amplifies Stella's innocence and Harri's
worldliness in comparison.
The
Jewish story in Europe during the Second World War is not new, and yet, this
story still has elements of originality and surprise. I've been thinking about how novels unfold,
and character versus plot. In this
novel, the characters pretty much play their part to enable the plot to
unravel. The narrative moves to present
tense, once Stella has arrived in Vienna, and this for me enhanced the 'filmic'
experience as the narrative unfolded.
It generated a sense of moving forward all the time rather than the
contemplative nature of a novel where character is foremost. Music (Chopin) plays a big part and as I'm
not a classical music buff, I turned to you-tube to listen to the music when it
seemed important to the plot. But
again, I kept thinking how well it would work in a movie.
Over
the years, I've eschewed 'romantic' novels and it's only through reviewing that
I've been reintroduced to the delights. Leroy has a gift for creating pictures
with words, and her writing is light without being lightweight. It's quite a beautiful and sad story, and
although at times I didn't totally believe in Stella - her transition from
innocence to quite suddenly the lover of Harri - it is another interesting look
at ordinary people on both sides of the story of war - the way overnight a city
could change so dramatically, the moment we know in history as the anschluss.
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