The author on revisiting her early work, reading women writers – and the appeal of hypochondria
Amazing. It's like looking at an old photograph album of yourself and thinking, ooh, those are the clothes I was wearing then, and, where did I get those shoes?. The Unloved was written when I was pregnant and there's a photograph of me lying in bed in 1994 with my newborn baby girl and by my elbow are the proofs of the book. Beautiful Mutants was written when I was 27, during Thatcher's second term, very much a state-of-the-nation book.
Why was there a 15-year gap between your 1996 novel, Billy and Girl, and Swimming Home?
I was raising my kids, I was teaching, I was a fellow at the Royal College of Art. Maybe other female writers with children do better, but I need such ruthless attention when I write that it was very difficult to do that in the early days of my children. But I was writing short stories, and they became Black Vodka. So now, talking about my books, making a connection between works past and present, is a pleasure. I'm rediscovering things in the early work.
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