Women and
men of all ages and children young and old flocked to the Auckland Writers
Festival this week, which broke its own record with more than 74,000 seats
filled across six days of tremendous conversations, performances, speeches and
stand-up and long signing queues stretched across the foyers in the Aotea
Centre.
Auckland Writers Festival director Anne
O’Brien says the result is testament to people’s hunger for more substantive
conversations and a deeper understanding of the world and each other.
“We are living in charged times; rising
inequality, #metoo, AI with its ethical quandaries and rapidly changing
patterns of human behaviour to name a few. We heard these issues reflected
across genres, in impassioned speeches and in sublime readings.
“We farewell these remarkable writers but
are left inspired by their stories, and with a deeper understanding of the role
we, as individuals, can play in the world.”
Witi Ihimaera received a
sustained standing ovation as this year’s Honoured New Zealand Writer as did Fiona
Farrell who delivered a thought-provoking lecture on the truth in fiction.
Comedian and memoirist Robert Webb reduced us to tears of laughter and
brought heart-warming insight into what it meant to be a man in the 21st
Century. High-profile public intellectual A.C. Grayling expertly opened
our eyes to the precariousness of democracy and Indian politician and writer Shashi
Tharoor delivered an impassioned speech on the wreckage that colonialism
brought to his country. The Black Friars gave a spontaneous gift-in-song to Damon
Salesa at the end of his Michael King Memorial Lecture. Scottish historian,
Rosemary Goring entered and exited the stage to bagpipes. Popular US
neuroscientist David Eagleman provided an extraordinary insight into
brain plasticity and its potential for our justice system. The future of humans
in our socially wired world was compellingly reflected in Emma Mary Hall’s
We May Have to Choose solo performance, with many parallels seen in ‘Big
History’ expert David Christian’s talk about our transition from living
in a biosphere to a knowledgesphere. Karl Ove Knausgaard confirmed
his position as a writer rock star, with audience members proclaiming their
love for him in question time!
Hundreds of people converged upon Call On
O’Connell for an eclectic variety of short but sharp events that were by
parts funny, moving and zany. The Auckland Town Hall was given over to the kids
at Family Day on Sunday, and they were treated to performances of the
wild and wacky variety. Audiences packed the Heartland Festival room to hear
revealing conversations and powerful performances from songwriters Nadia
Reid, Lawrence Arabia and Moana Maniapoto.
More than 6,500 students, from as far afield
as Christchurch, filled the Aotea Centre for inspiring sessions with writers
from Britain, US, Australia and New Zealand.
The cream of this country’s writers received
honours at the Ockham New Zealand Book Awards –the opening event in the
Festival’s public programme which this year celebrates its 50th
anniversary. Pip Adam was presented with the $50,000 Acorn Foundation
Fiction Prize – inflation adjusted to $52,000.
This year’s Sarah Broom Poetry Prize, judged
by New York cultural icon, Eileen Myles, went to Wellington’s Jane Arthur and
the inaugural $10,000 Michael Gifkins Prize went to Ruby Porter.
Auckland Writers Festival Board Chair, Pip
Muir, says it is a real privilege to be part of an organisation that
demonstrates such commitment to the power of words and the discourse of ideas.
“I sincerely thank the Festival staff for
their hard work and tenacity delivering this truly world-class event and to the
sponsors and patrons for their generosity and loyal support.
“This Festival has been an outstanding
success. It will be a hard one to beat!” says Ms Muir.
The Auckland
Writers Festival warmly thanks Platinum Partner Heartland Bank; Gold Partners:
The University of Auckland, Freemasons Foundation, Ockham and Creative New
Zealand; and all our Silver, Bronze and Supporting Partners and Patrons.
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