Meet Ira Lightman, Poetry Plagiarism Detective
Lightman is feared, reviled and lauded in the poetry world. For some, he’s a tireless vigilante, bravely aiming his chin at his enemies. For those enemies, he’s a bully and a witch-finder with an unnatural obsession. For others still, he’s in error; some of his targets aren’t plagiarists at all, they argue, just sloppy note-keepers. Moreover, Lightman makes no allowances for the practice of “intertextuality”: when you take someone else’s poem and use its structure, mood or language as a foundation for something new.
Poets Once Had Patrons. Institutions Replaced Them. It Hasn’t Gone Well
“In place of the vanished aristocratic patrons came a set of interlinked bureaucratic institutions: the federal government, philanthropic foundations, and universities. All three served a similar role of protecting modernism and modernists from an unregulated free market that was assumed to be uninterested in, if not actively hostile to, the survival of the arts, and poetry in particular.”
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