Internationally
renowned Ngāruawāhia resident Catherine Chidgey has won New Zealand’s richest writing award,
the $50,000 Acorn Foundation Fiction Prize, for her novel The Wish Child. The award was announced this evening at the 2017
Ockham New Zealand Book Awards.
The panel
of judges — Bronwyn Wylie Gibb, Peter Wells, Jill Rawnsley and inaugural
international judge the Canadian writer Madeleine Thien — said “The Wish Child exposes and celebrates
the power of words – so dangerous they must be cut out or shredded, so magical
they can be wondered at and conjured with – Chidgey also exposes the fragility
and strength of humanity ... Compelling and memorable, you’ll be caught by
surprise by its plumbing of depths and sudden moments of grace, beauty and
light.”
The Wish Child, Chidgey’s fourth novel, comes 13
years after her last work, The
Transformation, was published to critical acclaim. Chidgey’s previous novel
Golden Deeds was chosen as a Book of the Year by Time Out (London),
a Best Book by the LA Times Book Review and a Notable Book of the Year by the New York Times. Her
debut novel, In a Fishbone Church, won a Commonwealth Writers Prize (South East Asia and South
Pacific).
Her latest novel,
published by Victoria University Press, is one of four Ockham New Zealand Book
Awards category winners, selected by four panels of specialist judges out of a
shortlist of 16, which were in turn drawn from 40 longlisted titles from 150
entries.
Four Best
First Book Awards were also presented.
Paris-based Andrew Johnston won the
Poetry category for his collection Fits
& Starts (Victoria University Press), a book described by the category’s judges’ convenor, Harry
Ricketts, as a slow-burning tour de force.“The judges’ admiration for Andrew Johnston’s remarkable collection grew with each rereading, as its rich intellectual and emotional layers continued to reveal themselves ... Using a minimalist couplet-form, the collection is at once philosophical and political, witty and moving, risky and grounded, while maintaining a marvellously varied singing line.
“To reward Fits & Starts with the overall poetry prize is to reward New Zealand poetry at its most impressive and its most promising.”
Ashleigh Young (Wellington) took the Royal
Society Te Apārangi Award for General Non-Fiction for her collection of
personal essays Can You Tolerate This?
(Victoria University Press).
The category’s judges’ convenor,
Susanna Andrew, says Young’s work sets a high bar for style and
originality in a form that has very little precedent in this country. “Always
an acute observer, it is in Young’s commitment to writing as an art that
the true miracle occurs; she tells us her story and somehow we get our own.”
Young
catapulted to international recognition earlier this year when she won the Yale
University US$165,000 Windham-Campbell Prize for the collection.
Dunedin writer and historian Barbara
Brookes won the Illustrated Non-Fiction category for her meticulously
documented work A History of New Zealand
Women (Bridget Williams Books).
The category’s
judges’ convenor, Linda Tyler, says Brookes’ work combines deep research, an
immensely readable narrative, superbly well-integrated images and is
distinguished by close attention to both Māori and Pakehā women.
“Putting
women at the centre of our history, this sweeping survey shows exactly when,
how and why gender mattered. General changes in each period are combined
effortlessly with the particular, local stories of individual women, many not
well-known. A wider sense of women’s experiences is beautifully conveyed by the
many well-captioned artworks, photographs, texts and objects.”
For the
second year, the Ockham New Zealand Book Awards take pride of place as the
first public event of the Auckland Writers Festival.
Auckland
Writers Festival director, Anne O’Brien, says she is delighted to launch the
six-day Festival with the country’s premier book awards.
“Hosting the
awards is a demonstration of our commitment to local writers, and as the
largest showcase of New Zealand literature in the world, we are thrilled with
the opportunity to do so. More than 100 of the nation’s best writers take part
in the Festival’s more than 170 events, including tonight’s winners. I
encourage everyone to come along, have some fun and be inspired by the wealth
of this country’s writing talent,” says Ms O’Brien.
The Poetry,
Illustrated Non-Fiction and General Non-Fiction category winners each took home
a $10,000 prize.
This
year’s four category award winners will appear at a free event at the Auckland
Writers Festival: The State We’re In on Friday 19 May at 5.30pm in the Heartland
Festival Room, Aotea Square.
Four authors won four Best First Book Awards at the event:
The Judith
Binney Best First Book Award for Illustrated Non-Fiction: Ngarino Ellis for A Whakapapa of
Tradition: 100 Years of Ngāti Porou Carving, 1830-1930, with new
photography by Natalie Robertson (Auckland University Press).
The Jessie Mackay Best First Book Award for Poetry: Hera Lindsay Bird for Hera
Lindsay Bird (Victoria University Press).
The E.H.
McCormick Best First Book Award for General Non-Fiction: Adam Dudding for My Father’s
Island: A Memoir (Victoria University Press).
The Hubert Church Best First Book
Award for Fiction: Gina Cole for Black Ice Matter (Huia Publishers).
Each Best
First Book Award winner received $2,500.
The Ockham
New Zealand Book Awards are supported by Ockham Residential, Creative New
Zealand, The Acorn Foundation, Book Tokens (NZ) Ltd and the Royal Society Te Apārangi.
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