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By Roberta Rich | Wednesday,
January 14, 2015- Off the Shelf
night it is so quiet, so filled with shadows, you can hear the drip of water off the oars of the gondolas, the closing of the shutters on the palazzi along the Grand Canal, and the low murmur of voices just around the corner. A city like no other, Venice is a collection of 130 islands linked together by bridges, canals, and history, like pearls on a necklace. The city that most tourists see is a city of enchantment. One of these islands served as both a haven and a prison for Jews beginning in 1516 ¾ the Venetian ghetto. The Ghetto Nuovo is no larger than a few city blocks. Walking across the tiny bridge which leads into the ghetto felt like going from, say, the splendour of the Frick Museum on Fifth Avenue to the Lower East Side. The square is bare except for a lovely marble wellhead in the middle. Surrounded by tall, plain buildings, the equivalent of tenements, the island seems like a stage set. In 2007 my husband and I went on a walking tour of Venice. Wandering around the Ghetto Nuovo, an island probably chosen by the city fathers because it had that rarity in the city, a piazza without a church, I looked up at he tall, knife-sharp buildings and wondered how people led their day-to-day lives five hundred years ago in such cramped conditions. As more and more Jews arrived in Venice, first Sephardim from Spain and Portugal and, then Ashkenazim from Germany and Eastern Europe, the apartments expanded as more stories were added. Some buildings grew to seven or eight stories resting on shaky foundations. Existing apartments were carved into small and smaller rooms.
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Former leading New Zealand publisher and bookseller, and widely experienced judge of both the Commonwealth Writers Prize and the Montana New Zealand Book Awards, talks about what he is currently reading, what impresses him and what doesn't, along with chat about the international English language book scene, and links to sites of interest to booklovers.
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