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By Meg Miller | Friday,
December 12, 2014 Off the Shelf
This holiday season, consider the shop girl.
She’s on her feet all day, circling the floor or standing behind
the counter, appeasing indecisive old ladies, harried mothers with screaming
children, impatient business men, lecherous supervisors. She’s repeating
herself, stocking and restocking, bored, waiting, often temporary. She’s
apathetic Therese working at the doll counter for the holidays in The Price of Salt,
or lonely Mirabelle in Shopgirl, “selling things that
nobody buys anymore.” She’s the hot lingerie sales clerk in Christmas Vacation,
getting salivated over by a sweaty, breathless Chevy Chase.
In Kate Zambreno’s Green
Girl, she’s Ruth, a young American ex-pat living in London and
working at a store she calls Horrids (more affectionately known as iconic
London department store Harrods) selling a perfume named Desire. She lives
with her best friend Agnes, a seductive and obnoxious Australian redhead who
dresses like Golden Age movie stars and is always calling things “BIZ-arre.”
They go to movies and clubs, groom themselves in front of their mirror, and
seek out the attention of men who are generally pretty awful and/or
mundane. At one point Ruth dates a Horrids coworkers she calls "holy
boy," a genuinely sweet guy who worships her and tells her stories about
suffering female mystics, but she grows bored and dumps him, then
subsequently quits her job.
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