Place,
I say to my writing students. Get it right, time and place, at the
beginning. Chekhov has the clock tick out minutes; the color of the sky
reflects that very month and day; a street name rings familiar and strange
until, in story after story, life has confines, tensions and curling roots.
So after living nearly four decades in Italy, where am I, an American
midwesterner, when I write? In front of a large window, facing it, whether
I am writing in Parma, where I have lived with an Italian population biologist
for thirty five years and raised a daughter, or on a train, heading to
Florence, with a notebook on my lap, or in Rome, in a corner of my memory
where typewriter keys bounce along.
Read on...
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