Jim Crace,
heavyweight favourite to win this year’s Man Booker Prize for Harvest, has some
surprising literary blind spots, we discover
History man: Jim Crace was inspired to write Harvest, about the
enclosure of a nameless, more or less medieval village, when he noticed the
“deeply etched ridge and furrow” of the English countryside from the train ©
Matt Writtle 2013
Published: 01 October 2013 - London Evening Standard
Jim Crace may be the favourite to win this year’s Man Booker Prize in a
fortnight’s time but that’s not enough to make him diplomatic about the changes
recently announced to the award. That’s not his style. Clear and precise
statement is much more his thing.
When I meet him he is equally definite about the many reasons you might
have not to like his books, the many great British novelists he’s never read —
“I’ve never read a Dickens and I’ve never read a Hardy, no. Or a Brontë. Or a
Virginia Woolf. Or a Henry James” — and the folly of the Man Booker
administrators in opening the prize to American novelists in future.
When I ask him what he thinks about this, he says: “I don’t have an
opinion but I do have a prognosis, if you’d like to hear it?” A nod suffices.
“My prediction is this: the driving force behind this is money people who want
to make the Man Booker logo global, and they’re going to fail because it’s
going to be the third prize in America. It can’t take on the Pulitzer and it
can’t take on the National Book Awards. I’ve won the existing third prize in
America, which is the National Book Critics Circle Award [for Being Dead, 1999]
and it’s lovely to win it but it didn’t make much difference to anything. I
think the Booker in America might be the same.”
“As soon as you get a couple of years running in which the majority of
people on that shortlist are Americans, it will seem less essential in England
— and therefore they will have succeeded in turning something which is really
focused and important into something that is semi-failing in two places.”
Plus, he adds, with emphasis, “it will mean that fewer up-and-coming Commonwealth
writers will get a showing. There’ll be fewer new or small publishing houses.
And, third, most importantly in my view, it’s like saying the Commonwealth
Games should be open to Americans — because we want it to reflect the best in
athletics. The Commonwealth Prize is about celebrating the Commonwealth and the
special relationship we have with the ex-colonies — which is part guilt and
part warmth — and the Booker Prize isn’t an essential part of that but it is
part of that. So I think that in every respect this is an own goal.”
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